A Quote by David Wain
I've come to the possible conclusion that being a comedic writer/director is like running track. You do it for a certain amount of time and then you have to stop. Or you at least have to accept that you're not going to be at the top of your game. And that's OK.
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I'm not a sketch writer. I know what I am: I have a sensitive comedic sensibility. What turns me on is subtle neurosis. That's my game. I'm not an action writer or a thriller writer and I'm not a sketch writer. I don't pretend to be those things. Then it would not be fun. Then you are in a space where this is painful.
There's a certain amount of pressure that goes with writing superhero characters, especially characters that are beloved to audiences. You know that you're always writing into a certain amount of expectations and into an existing fandom, and I try to take the pressure of that in when I first accept a project and then I try to push it aside as much as possible and just focus on the story that I want to tell. It's definitely a little more pressure than writing something of your own, from your own brain, and creating those expectations from scratch. But I also like the challenge of it.
I feel like the point of being an artist is to have your own voice: to do it the way you would do it and not the way anyone else would do it. If you're a strong enough writer, then that voice is going to come out all the time, and I can't stop it from coming out, no matter what I do.
Unlike a novel, where you expect a different kind of arc that leaves us with a somber sense of resolution, I think a story in some ways as like a train window: being able to watch the landscape pass for a certain amount of time. And then your stop arrives, and you have to leave.
I grew up thinking anything was possible simply because of seeing women in power - like, you know, running the country. Which is a thought that continues to give Americans indigestion... Direction is about having a vision, but the practice of being a director is a con game - a confidence game.
It's a great lesson about not being too precious about your writing. You have to try your hardest to be at the top of your game and improve every joke you can until the last possible second, and then you have to let it go. You can't be that kid standing at the top of the waterslide, overthinking it...You have to let people see what you wrote.
If I get my teammates going early, then my shots usually open up. Come off pick and roll and make the pocket pass on the first one. Then it's like OK, does the defender step up now? Then next time I may have the layup. So, just playing the game like that. Reading and reacting and not thinking too much.
There are only a certain amount of years you can play this game, and it's even a lower amount for a running back.
When you're up-and-coming in your career, yes, maybe you have to dodge certain guys. 'Hey, my wrestling isn't good yet, let me get it on-point and then I'll come back there,' or, 'I'm not going to fight that guy right now,' because whatever, when you're up-and-coming. But once you're already at the top of your game, you're in there, man. That's it.
I spent the first twenty years of my running career trying to run as many miles as I could as fast as I could. Then I spent the next twenty years trying to figure out how to run the least amount of miles needed to finish a marathon. And I've come to the conclusion the second way is much more enjoyable.
I have not created any characters nor have I changed my name. The last time I did, the band turned 20, and I said, "I'm going to stop changing my names. I'll present myself as Rubén Albarrán." During that time, I was visiting certain communities and one of them baptized me with my birth name. So I said, "OK, I've received it, now I will use it," and I have. If another one comes, then it will come, but it hasn't arrived yet and I'm fine for now.
I think it's just that the fashion industry can only accept one thing at a time. It's like, 'OK, well, if we're going to add plus, then let's keep it hourglass and white.'
There may be a certain amount of pleasurable excitement in running up to the top of a hillock in the hope of seeing your ball near the flag, but this kind of thing one gets tired of as one grows older.
When you're given a certain amount of power - like, you're a writer and an employed writer, and you put pen to paper, and people are going to read what you write - that's power.
I keep social with everyone because I want to know what's going on at every level. At the same time, if I'm not alone a certain amount of time per day then I'll go nuts, because I can't write and I can't think. I can't deal with people all the time. I like being alone. I'm a bit of a cat lady in that way.
There's so much more involved with the game than just sitting there, looking at the numbers and saying, 'OK, these are my percentages, then I'm going to do it this way,' because that one time it doesn't work could cost your team a football game, and that's the thing a head coach has to live with, not the professor.
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