A Quote by David Yates
You never want to be the director who dropped the ball, you know?
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My husband cannot throw the ball and catch the ball at the same time. I can't believe they dropped the ball so many times.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I never played with a runner in my entire life, even in schools, because only I know where the ball is going and how hard, when I hit the ball, something my runner will never know about.
You want to give the director what they want, and you don't always know exactly how it goes, so you want to try it a few different ways. You have to be flexible; you have to be in collaboration with the director; you have to be versatile. But you also want to be protective of what you really believe in and how you feel it should be portrayed.
I'm not used to seeing the ball go wherever she wants. As a pitcher, I like to be - I don't want to say perfect, but I want to know what the ball is going to do.
The one thing I've learnt is that you don't want to be nasty about anybody, unless they've dropped dead. And the annoying thing is that most of the people that I know who've dropped dead are really great.
I've never like had a system or a program, I always think that I don't know how to act. I'll adapt to any director because I don't really have a set way that I do things. If a director hires me and says, "I want you to get started right now and do this research, this research, this research and I want you to have every line memorized before you ever show up for the first day," then that's what I'll do.
It was a relief to get dropped which is sad in a way because you never want to miss a game. But I was not performing and mentally I got to a stage where I was not concentrating and did not want to be there. I was not enjoying walking out there and feeling like I didn't know where the next run was coming from.
I don't want a new ball when I am bowling in the subcontinent. I want an old ball that can't get hit out of the ground. I want a ball that when I bowl doesn't have true bounce, so that the batsman can't hit it.
When you trust the director you want to trust his or her choices. I don't want to say, 'No, I don't like this girl or that guy," when the director really loves them. No, you want to go with what the director likes.
What I say about actors is you always want to find an actor you can play ball with. You throw the ball at them and you want them to throw it back. Your ball playing is a lot better when you play with good ballplayers, like any sport. Every actor I know feels the same way.
I want the ball for 90 minutes. When I don't have the ball, I go high pressing because I want the ball.
When we're able to get stops, get the ball off the glass and run, you never know who's going to get the ball. Everyone takes off, runs to their spots, and the ball just finds the open man.
I have an association that director means total authority. Director means they will never let you down. Director means just trust them and fulfill their vision, and know that the story will be told in its best incarnation.
The pitcher wound up and he flang the ball at the batter. The batter swang and missed. The pitcher flang the ball again and this time the batter connected. He hit a high fly right to the center fielder. The center fielder was all set to catch the ball, but at the last minute his eyes were blound by the sun and he dropped it.
I want to be the best with the ball in my hands as a receiver - or as a player, period. And I think when I get the ball, my game changes. I don't know what it is, I just shift gears.
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