A Quote by David Zucker
We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.
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There are times through the process that you just think, "Is this all worth it?" It's very, very difficult to get a movie made, and it's very difficult to get a movie made that turns out well, and that fans love, and that the marketing gets right.
Very difficult to understand American audience, what they like, what they don't like. Some movie I like very much, it doesn't work. Some movie I don't like, it gets big box office. Very difficult.
It's very rewarding to see the movie, and it's very rewarding to make the movie, but playing the character [Riddick] is sometimes a lot more difficult than other characters because it takes so much preparation to get into that character.
Normally, it's difficult for me to watch a movie that I'm in.
I had the opportunity to work with Aliens and Predators when Resident Evil 2 was being made and it was for two different studios. It was for Fox and Sony. They don't care about one another. They just want their movies. So it was very difficult to delay one and... So I had to make a very painful decision to kind of step away from directing the second movie and with the third movie it was the same.
I think it's a slightly crazy time actually, it's very difficult to satirise because each of politicians is in their own way enacting a commentary on the world of politics anyway. To then comment on them just feels like adding another layer. I find it very difficult to do jokes about current politics because for me it's all about... I actually genuinely want people to be involved properly, you know? I mean, the number of people who don't vote... Frightening, really.
I read the script [ of 'Steve Jobs' movie ], and it was very, very good. I wasn't sure they would want me to be in the movie, but I auditioned for it. Which I hadn't done in a few years. But I had auditioned in the previous few years for another movie that I did not get the part. And so my track record wasn't good. But I really wanted to audition because I was worried that I was going to blow it, and I wanted it to be on them for choosing me.
When I did 'Mimic,' it was such a difficult experience to try to make. Believe it or not, I did try to make a really adult giant bug movie. And then, in the course of the process, it kind of died a horrible death and gave birth to the movie that exists now, which now, in retrospect, I like. But it's not the movie I set out to do.
Sometimes it's very difficult to do a movie that's good and then have that movie make it to the light of day.
I never want to impose my will on a community because even though I am the director of the movie, I can't direct them to be any more like themselves than they are. So it's very helpful to me because I can see the truth of their lives and their world right in front of me.
I generally go into a movie with a very strong vision, with how I want to make the film, how I want to shoot the film, how I want to edit the movie, what I want the sound to sound like. So I have a very concrete idea even if I don't storyboard it, I know exactly what I want to do once I get into the sequence. Now having said that, I try not to let that slave me to the process. So if I do storyboard a sequence I don't necessarily stick to it if I discover more exciting things on set.
I think I'm an extremely conscientious producer and now equally as a director and it gives me the opportunity to look at the entire movie and really allow the movie to be the creative vision of the actors, the writer and myself, because I'm in charge of it from a producer and a director point of view.
I find it very difficult to do anything on my own now because people recognize me. This has never happened to me before because I haven't really done television before. But I suppose if you're in people's rooms all the time, I don't know - I was thinking the other night with people like DiCaprio and, you know, those big stars and Cate Blanchett, and you just think how did they exist? It's so difficult. And I think now it's very intrusive because of these cellphones, you know, with cameras.
The idea right now - and it may evolve - would be a live-action movie where some of his characters would be animated. To me, this movie is very much about the creative process.
I'm kind of the boss. I could fire myself if I ever got out of line, and I can hire myself too which is a good thing. It gives me a responsibility to the financial realities of the picture. I'm an extremely conscientious producer and now equally as a director and it now gives me the opportunity to look at the entire movie and allow the movie to be the creative vision of the actors, the writer and myself, because I'm in charge of it from a producer and a director point of view. It gives me freedom and it gives me a certain degree of responsibility at the same time.
If I'm intimidated, I shouldn't be directing a movie. I gotta treat 'em as characters, not as stars. It's hard to not treat Marlon Brando as a legend, a star, it's difficult not to treat Robert De Niro as a star, but that had to go away very fast after I knew them, because I had to work with them. I'm the director, I'm the boss. They're looking to me for guidance.
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