A Quote by David Zucker

You know, OJ was a really nice guy, and he knew his lines. He was nice to everybody on the set. He got to be a better actor, I thought, with every movie. — © David Zucker
You know, OJ was a really nice guy, and he knew his lines. He was nice to everybody on the set. He got to be a better actor, I thought, with every movie.
It's much nicer to be known as Mr. Nice Guy than Mr. Nasty Guy. But you've got to have lines - and when you hit the line, that's the end of the story, nice guy or not.
On the set, everybody is different, so you have to deal with different sensibilities. I don't have a method. Usually, I try to have a good connection with the actor that I'm filming. Even a guy who's there with two lines of dialogue, I always try to have a connection with the guy I'm filming, just to make it into a nice, enjoyable moment.
As an actor, it's nice to work in an environment where everybody is nice and the things that we do are nice.
I was imagining a long life of being a stone cold loser. Then I got a job, which was really nice, then I got a great agent, a great manager, which was really nice. I was doing a lot of set ups, and, you know, I got to start working in L.A.
Being a nice guy is detrimental to actors. When I first came to Hollywood, everyone was nice to me. Everyone thought I was a nice guy.
No, I don't regret doing anything, and, you know, at the time, 'Monster-in-Law' was... I was so excited to get that part. I got to be in a big movie for a few months. I got work, and everybody on it was really nice, and it was a fun experience.
Jerry Sloan was a guy that I always respected, but I thought he was mean. Like, he was a guy that was just no nonsense. When coach and I got closer during the Olympics, I said, 'Coach, I always just thought you were this mean guy, but it was really nice to get to know you and your family.'
I remember in the Carpenter version, you got acquainted with the characters and really knew them. It was a real character piece. Each actor was serviced in the movie, and we tried to do that in this movie as well. I like the fact that there was a European, first-time director. I'd known of him because I'm from Europe. I knew him as a commercial director and thought one of his commercials was great. I thought it was an interesting take on such a big-budget cult classic.
It is important to be nice. But sometimes niceness can be misconstrued as weak. Should we be nice to everybody? Should we be nice only when others are nice to us? Here are some interesting views about being nice. Read these nice quotes and turn on your niceness.
I did several shows with Jimi Hendrix, that's when I got to know him better, I knew of him, I met him [when he was playing] with Little Richard... And he was kind of quiet, shy, he didn't open up too much, but there were questions as we all ask each other. You know, "how do you do this" and "why do you do that..." We had very small discussions on things like that. And he was very polite, I thought [he was] a very nice guy.
Everybody would like to be good, that's the silly thing, everybody always likes it when they're having a nice time or when they're happy or when it's sunny, they all dig it; but then they go and forget about it, they never really try to make it nice. They think that it just comes along and it's nice if you're lucky, or if you're unlucky it's bad for you.
I'm from New York, I'm 53, I have my moments when I'm a nice guy, and more frequently I have my moments where I'm a middle-aged aggravated person. For years I was always the nice guy, so in life I had to pretend to be the nice guy.
Everybody has an inside scoop, so just be a nice guy. Be a nice person.
Real people are good and grumpy. They're nice and mean. And I come from a nice and mean family. My mom was nice, and my dad was mean. So I would've served myself a lot better if Louie Lundgren would've blown up at some of the people he was talking to. I think it would've really served everybody better. We'd probably still be on the air!
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
I'll tell ya, I'm a genuinely nice guy. I really am. A real nice guy. But I think I'm temperamental.
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