A Quote by Davinson Sanchez

I'm human. I have bad games, I have bad moments, but that's me. I cannot stay on the floor, knocked out. I have to keep going. — © Davinson Sanchez
I'm human. I have bad games, I have bad moments, but that's me. I cannot stay on the floor, knocked out. I have to keep going.
You never judge a person if they're going through their downs because you always stick with them when they're going through their ups. If you stay in football business long enough, you're going to have some bad games and you're going to have some bad seasons.
I'm an only child and grew up in a bad neighborhood. My parents weren't well-off, but they would save up to get me video games. Games were something I did because I couldn't really go outside where bad things were going on.
The actor has the advantage - or the liability - of knowing, "It's going to be my face up there on the frickin' screen, so I better keep my wits about me. Nobody's going to care that I was bad because I was not happy. They're only going to know I'm bad."
All the screen cowboys behaved like real gentlemen. They didn't drink, they didn't smoke. When they knocked the bad guy down, they always stood with their fists up, waiting for the heavy to get back on his feet. I decided I was going to drag the bad guy to his feet and keep hitting him.
And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good and bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.
I am the world's most appalling martial artist. I am so bad. I've studied jujitsu, kickboxing, t'ai chi. Once, I was sparring with someone, made a mistake, and managed to knock them down. I was so shocked that I dropped to my knees to see if they were all right, and then they knocked me out cold. From the floor.
One of my first acts will be to get all of the drug lords, all of the bad ones - we have some bad, bad people in America that have to go out. We're going to get them out; we're going to secure the border.
When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.
I want you to tell me how bad I suck and how I'm going to get knocked out and how I've been lucky my whole career. That's fine. All day.
I was going to stay overnight at my friend's house - he said, "you'll have to sleep on the floor." Damn gravity! You don't know how bad I wanted to sleep on the wall.
No one really has a bad life. Not even a bad day. Just bad moments.
You learn from the bad games and the bad tours. And, when things are going well, you think about that and you make the most of it. You don't get lazy; you don't rest on your laurels.
Where humanity is going to find itself in, say, 20, 30, 40, or 50 years would be very difficult to predict, I think. There are moments, of course, when you think that it's going from bad to worse, but there are other moments when you think that human efforts are really flowering into something really fantastic.
Every time I go out on the floor, it doesn't matter what is going on in my life or on the floor - it's about winning basketball games.
When it gets going bad and it gets going to where all these things are happening around you, the thing that stands out most is your character. You have to make sure you keep your character and your wits about you, because at the end of the day, it might be bad for a little while, but if you're a good coach it all works out.
It's seldom that you find great moments in television. Usually you remember - in 'Breaking Bad' or any of these other great shows - you remember situations or characters. Not moments. But I have to say, I can make the same argument for mainstream movies, which have bad narratives and also no memorable moments.
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