A Quote by Dawn Steel

I felt more comfortable in TV than in the film world where the players were more erudite and intellectual. — © Dawn Steel
I felt more comfortable in TV than in the film world where the players were more erudite and intellectual.
The players wanted more money, higher salary caps and they didn't have that family relationship we felt with the players. Mentally, the players were more businesslike.
You have to put all the criticism of this club down to jealousy. United have produced more players who have played for their country, more world-class players and more players who have won European Footballer of the Year than any other team in this country, so we must be doing something right.
I want to be comfortable on TV. If I'm comfortable, they're comfortable watching me. I think nothing's more icky than watching icky on TV.
When I was a young boy, I preferred cats to dogs. From the age of seven or eight onwards I just felt more comfortable with cats. And I felt more comfortable with girls, I didn't really like hanging out with guys. When I was about ten or eleven, I was friendlier with the girls in my school than with the guys.
I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different ; there's more to act. There are more demands put on you, more experiences to go through.
I felt more comfortable playing other people than being myself, when I was a kid. And then, the tables turned. Through my performances, I've become more comfortable with who I am, and then I just bring more of myself into the people that I play.
Theatre's a much less faddish, more sensible world than TV or film.
I grew up on sets, because both my mom and dad were commercial and TV actors, so I've always felt very comfortable in that world.
I've always felt more comfortable in fantasy. Fantasy has felt more real to me at times. Drawing was an immediate outlet for that: to create. It's been my ability to create my own world.
For me, it was always clear that Toni Erdmann is more a film about what globalization, capitalism, does with private relationships much more than making a "political" film. It's more interesting to raise questions, because I don't feel in a position to "make a statement" with the film. Toni Erdmann comes from a completely different generation then his daughter, it's the post-war generation, they were very politically engaged. They raised their children with a lot of human worldviews, sent them out in the world believing in a world without borders.
I've never felt entirely comfortable in high society. I'm more comfortable talking to the bar staff than the super-rich. I don't really get what makes them tick.
I didn't want to make a literal film about Detroit, because it felt like what they were experiencing was more universal than that.
That's what we were exploring on 'Larry Sanders' - the human qualities that have brought us to where we are now in the world: the addiction to needing more and wanting more and talking more. We were examining the labels put on success - is it successful to be on TV every day, to be famous, to have a paycheck?
Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.
If churches saw their mission in the same way, there is no telling what might happen. What if people were invited to come tell what they already know of God instead of to learn what they are supposed to believe? What if they were blessed for what they are doing in the world instead of chastened for not doing more at church? What if church felt more like a way station than a destination? What if the church’s job were to move people out the door instead of trying to keep them in, by convincing them that God needed them more in the world than in the church?
The place smelled like Sam -- or, I guess, he smelled like the store. Like ink and old building and something more leafy than coffee but less interesting than weed. It was all very ... erudite. I felt surrounded by conversations I had no interest in participating in.
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