A Quote by Dean Devlin

Most young American actors feel like teenagers. — © Dean Devlin
Most young American actors feel like teenagers.
Teenagers watch and listen to all kinds of things. It is the nature of being a teenager to seek out intense stuff. Stuff about death and sex and love and fear. Teenagers are the bravest, most curious, most philosophical, most open-minded readers there are, which is why so many less-than-young adults like writing for them.
When you're aware, from a young age, of how something plays in public, it makes you a young entrepreneur, whether you like it or not. I call most teenagers 'young entrepreneurs' because from a young age we're aware that our social media is building our brand. And if, when you're 13, you're concerned with building your brand, then "like" disparities matter.
I feel like most horror films are made for teenagers about teenagers. I've done a couple of those horror films. There's nothing wrong with that but the older I get the more I starve for more adult material.
It's a phenomenon that I see with young actors - a lot of American speaking parts going to British actors.
Most actors nowadays are models turned actors. That's why a lot of young actors are terrible. You have to learn how to act. It is not something that you can just do.
I'm pretty normal. That's why I feel like I hope most teenagers can relate.
I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.
First of all, a giant corporation probably shouldn't be being hacked by teenagers. I put that on the corporation, not the teenagers. Teenagers are going to do what teenagers are going to do - rebelling. But if they're able to hack a big corporation, that seems like the corporation should be better at security.
A lot of young actors have the idea that, "I've got to do this right. There's a right way to do this." But there's no right or wrong. There's only good and bad. And "bad" usually happens when you're trying too hard to do it right. There's a very broad spectrum of things that can inhibit you. The most important thing for actors - and not just actors, but everybody - is to feel loose enough to create what you want to create, and be free to try anything. To have choices.
I think what we have seen in terms of gay teenagers committing suicide because of bullying is anguishing. I think young people, if they are feeling like they are confused, need to know that there are people to talk to and that there are places they can go and not feel alone. But I feel that they have just as many rights as I do to not be bullied.
Imported actors, like certain wines, sometimes do not stand the ocean trip. This can be as true of American actors in Europe as it is of European actors in America.
I love a certain kind of acting style that I would call non-American, which tends to be more detail-oriented and less externalized. There's a kind of naturalism that I often find in non-American actors. I also find that quality in the American actors I work with, but I like to bring in those influences creatively.
English actors feel vaguely apologetic for being there at all. American actors know that the most important thing is to get one take out of fifty that is great, and they'll go to any length to get it. The English are used to working within consistently small, low-budget things and think, I mustn't waste their time.
Oh yeah, I'm the president of the lucky club. There are so many talented people who don't work. And the crop of young actors I'm surrounded by is incredible. When you have people like that around you it amps you up a little bit. Also, Emile Hirsch and Joseph Gordon-Levitt, or guys like Ryan Gosling. It's a really good crowd and I feel I'm coming up at a good time. But equally, there's a lot of good young actors who don't get to work who are more talented than I. I'm just lucky.
I feel so sorry for younger actors who aren't able to have the opportunities that I had, starting out in repertory theatre. It's really tough on young actors now.
I used to say teenagers were the aliens among us and I think all teenagers feel that way in many respects.
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