A Quote by Dean Devlin
Portland is a two-hour flight from L.A. It has wonderful talent, and it hasn't been shot to death. I'm all in favor of it becoming a serious player in the industry.
Related Quotes
He is an exceptional talent. I still think Diego Maradona is the best player I have ever seen but Messi is closing in fast. He's a wonderful sight in full flight and we are lucky to have him around.
Fitness of a top-class squash player is very important, and talent only can't do the job. They have to get training regularly for at least eight hours a day so that they could put some good show in a two-hour match.
I was a guitar player in a band that had two keyboard players, sometimes two other guitarists, a bass player, and a drummer, four or five singers, and percussion. We did a two-and-a-half hour show where the music spanned from the early Sixties to the present. Whereas the David Lee Roth thing was like, Now. Very big and intense.
Would I have been a great basketball player? No. But I think I would've been a good basketball player, one of those grinders getting eight to 10 rebounds. I would've been like Kobe and been in the gym five to seven hours a day and never missed a 10-foot jump shot. I would've been a great role player for a team.
I believe Picasso's success is just one small part of the broader modern phenomenon of artists themselves rejecting serious art- perhaps partly because serious art takes so much time and energy and talent to produce-in favor of what I call `impulse art': art work that is quick and easy, at least by comparison.
I took my first acting classes in Portland at Portland State University and the Portland Actors Conservatory.
Industry has operated against the artisan in favor of the idler, and also in favor of capital and against labor. Any mechanical invention whatsoever has been more harmful to humanity than a century of war.
It's about learning your craft. That's a wonderful thing--especially with today's consumerism and instant gratification. You can'tbuy that. It's about making decisions, corrections, choices. I don't think it's so much about becoming a tennis player. It's about becoming a person.
Is Portland worse off than other cities? Is Portland really 'Tent City U.S.A.?' I want to be clear: The answer is no. While the homeless situation in Portland is significant and unacceptable, it is not unique.
I will gladly give lessons as a favor, particularly when I see that my student has talent, inclination, and anxiety to learn; but to be obliged to go to a house at a certain hour, or to have to wait at home for a pupil, is what I cannot do, no matter how much money it may bring me in. . . I am a composer and was born to be a Kapellmeister. I neither can nor ought to bury the talent for composition with which God in his goodness has so richly endowed me. . .
Americans respect talent only insofar as it leads to fame, and we reserve our most fervent admiration for famous people who destroy their lives as well as their talent. The fatal flaws of Elvis, Judy, and Marilyn register much higher on our national applause meter than their living achievements. In Amerca, talent is merely a tool for becoming famous in life so you can become more famous in death - where all are equal.
We may, indeed, say that the hour of death is uncertain, but when we say this we think of that hour as situated in a vague and remote expanse of time; it does not occur to us that it can have any connexion with the day that has already dawned and can mean that death -- or its first assault and partial possession of us, after which it will never leave hold of us again -- may occur this very afternoon, so far from uncertain, this afternoon whose time-table, hour by hour, has been settled in advance.
I flew in combat in Vietnam. I got shot at, I shot back, I got shot down. Compared to this flight, I felt a lot safer in combat.
It's been a long and wonderful journey for me but feels like it was just the other day when I started my career in films. I am very grateful to this wonderful Telugu cinema industry and the audience for all the love and unflinching support without which it would not have been possible.
I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a beautiful movie shot on an iPhone. You see so many movies that are impeccably shot but are vapid, and there's no audience for that except for other cinematographers who just like to watch two-hour-long music videos.
I loved my experience on 'Downton Abbey.' We shot it in six months, and it was the first time I'd ever been on TV, and I was surrounded by my friends. It was a wonderful, wonderful time.
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