A Quote by Dean Devlin
It was somewhere in doing the last season of 'Leverage' that John Rogers and I became confident that we had developed an all-new production technique where we could put more on the screen with very little money. So we started to get more comfortable with the idea of trying to tackle 'The Librarians.'
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I think the first contest I did, I was somewhere just over 300 pounds. With my frame, I needed to add more weight and put more muscle on to get better leverage and be more successful. Just to get stronger, really. I had to work really hard.
I was very shy, but when I performed, I felt like I was in my own little world. I became more confident. Dancing taught me discipline and to feel comfortable in my own skin.
I'm persistent. In the early '60s, when I first started making the rounds in New York for theater work, I became more and more enraged every time I had an interview or audition that went nowhere, and became more determined. I haven't lost that.
I've seen more people fail because of liquor and leverage -- leverage being borrowed money. You really don't need leverage in this world much. If you're smart, you're going to make a lot of money without borrowing.
There's a screen direction in the script for the pilot where it says, 'Jim Harper, mid-20s, enters,' and it said something to the effect of: 'He's confident without being cocky. He has no idea that he could be considered attractive, because he saw All The President's Men when he was thirteen and never looked up.' It was just a great little gem of a screen direction, and I felt immediately from just that, that I had a good idea of how to play this guy.
If I had a little kid in kindergarten somewhere, would feel much more comfortable if I knew on that campus there was a police officer or somebody who was trained with a weapon. I would feel more comfortable.
I get bored. We seem to have been having a little bit more time off this winter than last winter. I'm always itching to get back in the car. It's going to get harder, so I've got to make sure that I'm doing everything I possibly can do to make sure I can start next season how I ended this season.
You're starting to see more and more athletes recognizing their reach and how much leverage and power that they have in their celebrity and in their platform. And more and more guys are trying to use that leverage to better their communities, to better this country and are speaking out on injustice.
Culture and tradition have to change little by little. So 'new' means a little twist, a marriage of Japanese technique with French ingredients. My technique. Indian food, Korean food; I put Italian mozzarella cheese with sashimi. I don't think 'new new new.' I'm not a genius. A little twist.
Since I was very young I've been fascinated with nature and I actually wanted to be a marine biologist when I was very young. That was a great passion of mine. So I suppose in the off season when I'm not making movies, I became more and more active as an environmentalist trying to be more vocal about issues that I felt were important.
When I started doing television, I had no idea that people were watching it. But then things opened up for television in such a way that it's no more 'small' screen, as it is called.
I started in junior high doing the splits and flips and that kind of stuff. It was kind of the acceptable thing to do. But I had two older brothers, so I was a tomboy. I was the cute tomboy who could put on the skirt but then go tackle you or something. I was a little rough around the edges for a pretty woman!
I was always interested in music, I felt it was time to do it, coming out of the punk scene [1979]. I thought it was ideal that anyone could just put together a group and make it work. Then, of course, it became a little more detailed after starting it and realizing that it was something serious, not just a one-off situation. I had to put a lot more into it. Also I did it to get a lot of things out of my system, things that had been put there while I was growing up in my family. A sort of exorcizing of demons.
I started doing comedy just as myself, because I thought, "This is what's expected, you're meant to tell stories and do observations." And then I started to realize that I wanted to mix it up a bit, so I started to doing songs, and I had a little keyboard onstage and would bring in little props. Then I thought about the idea of talking about a character and becoming the character onstage. So, it sort of morphed into being stand-up that was more character based, and I found that's the stuff I got the better reaction from and was more exciting for me.
Eventually, the more I listened and became obsessed with singers, I feel like the more I realized that I had my own little thing that I could do. So this is why I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do.
Filming in Cloak & Dagger I was trying to get my Screen Actors Guild card. Everybody tries to get their SAG card if they want to be an actor. People might say that it was their dream to be an actor, but for me, I was a comedian. I already had a job. But I felt like there could be money there, and comedians don't make very much money, or they didn't in 1984.
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