A Quote by Dean Devlin
I think when real life interrupts fantasy, it's always shocking.
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Real theology is always rather shocking to people who already think they know what they think. I'm still shocked myself.
And I don't know where to find Ashley Danfield and all the other lovely commentators who show me live courtroom trials. To me, you know, I'm obsessed with it. Like I think maybe if I wasn't an actor I'd be a litigator. But, you know, it's always just shocking to see what happens in real life because most of the things that you see on those trials if you tried to write them into a TV series you would say oh gosh, no one would believe that would ever happen. But yet they always do in real life.
I had a real strong fantasy life as a kid. But then you grow up and think about real jobs.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.
If you compare the violence in 'Happy Valley' to the violence in something like 'Game of Thrones,' it's nothing. But it is shocking because it's so real and grounded. The characters could live next door to you - they're not in a remote fantasy world.
I always wanted to live alone for a month in a lakeside cabin. In my fantasy, I enter a state of perfect peace and grow my own kale and stuff, but in real life, I think I might be very bored after four days.
The theatre is not the place for the musician. When the curtain is up the music interrupts the actor, and when it is down the music interrupts the audience.
I feel like I'm real honest in my music. Even if it ends up being an exaggeration or a fantasy, it's a fantasy that's real to me.
I always want to see films that are startling and amazing. Not just shocking. Shocking is easy to do. But startling in the way that makes you change how you think about things. Those are the movies I like the best.
When you shoot a film, when it was film, there used to be rushes and normally a director would look at them the next day. All directors look at the rushes, except for Fellini. I asked him why he didn't and said, "Because it interrupts my fantasy." What he was trying to say was that he had a three-dimensional, vibrant, living, volatile fantasy going on in his head, and when he looked at rushes, they were two-dimensional and they killed it.
Fantasy, in addition to being great storytelling, moves us at some unique and profound level. It has, I think, the power of mythology, or ancient dreams we have always and forever shared. In it, we find our real world and our real selves.
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
I've always had a desire to be provocative and to make people think, but it wouldn't be any challenge for me just to be shocking. That is where it begins for me, not where it stops. And I could be much more shocking. I think I've adopted a sense of subtlety. I don't sit around wondering how I can make myself even stranger to the world. I've simply evolved into the monster I created, and I'm quite happy with it.
People always say that my work is sensational or shocking but there are truly shocking things you could do, and my sculptures don't go anywhere near that.
There are lots of imposters in this earth, and to very first there always comes a second, to every reality there always come a fantasy, and the fantasy wants to come and live the life of the reality
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