A Quote by Dean Devlin

In movies, we've run out of ideas for bad guys. We end up with politically incorrect villains, like Arab terrorists or Latin drug dealers or corrupt politicians. Well, aliens are the best film villains since the Nazis. You don't have to worry about offending anyone.
Ever since I was a kid and growing up and watching things like the 'Naked Gun' movies, there was always this stereotype about how Arabs were perceived and portrayed. I've never watched those Arab villains in the movie and felt like that was me.
I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.
The specific influences on villains to me is, I love the villains who are really hyper-smart. When at the end of the movie you find out what they were about, and it makes absolutely perfect sense from their point of view.
Once I gave up the hunt for villains, I had little recourse but to take responsibility for my choices.... Needless to say, this is far less satisfying that nailing villains. It also turned out to be more healing in the end.
I always tried to play the bad guys as guys who didn't know they were bad guys. There are villains we run into all the time, but they don't think they are doing anything wrong. If they do, they think they are cunning and smart. When people break laws and ethical rules, they justify it in their own terms.
The thing about villains is that villains always have their own logic, and they don't necessarily see themselves as villains. Richelieu is not a villain, in his own mind. He's doing what he needs to do.
Also, what I like about it is that the villains in 'Narcos' are not just only the drug dealers, but it also poses the question of what part does the government have in the problem, and the corruption in it? I think it's a very important question to ask as a society.
It feels bad to play a bad guy. I did George W. Bush for years, and I hated him. But you have to give full voice to the villains. You have to have really convincing villains, or it's not worth anything as drama or comedy.
I don't like villains who are just villains. People who are just there to be bad - ugh - so annoying.
Shakespeare's villains are fabulous because none of them know that they are villains. Well, sometimes they do.
You need to try to find a way to humanize your villains. Genuine villains, in real life, still have mothers and daughters and sisters, and they fall in love. They don't walk around with a big sign saying, "Bad guy," on their head. They think they're good guys. If you can play that, I think it makes it more interesting.
The rich plankton of pop heroes and pop villains on which we Americans are accustomed to feed, the daily media soup of sports figures, ax murderers, politicians, and rock singers, the ever-running river of celebs, heavies, and oddballs that we use to spice up our own relatively humdrum lives has of late become a very watery gruel. Where have all the good guys and bad guys gone? Why does everyone out there look so gray?
It is much more fun to write about villains then heroes. The villains are the ones that think out the scheme, and the heroes just kind of come along for the ride.
Even the toughest people have a backstory, and villains don't feel like they're the bad guys.
Villains never know they are villains in a picture so I play this like I'm the nicest guy in the world.
I don't play just villains. I like to have parts that are not simply villains.
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