A Quote by DeAndre Yedlin
I want people to know about my story and where I came from.
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The biggest threat to your creativity is the fear that it's already been done, said, created. (So why bother?)
Say it, do it, make it anyway - but tell YOUR story along the way.
The story of how you came to know what you know.
The story of what you want to know more of.
The story of why you do what you do.
The story of how you came to care.
And that's how you create what's never been created before.
I don't know what the definition of a short story is, and I don't even care to answer that question. That's something somebody in academia would think about. I just want to tell a story, and if people listen, and if it stays with you, it's a story.
I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you see higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality.
For people who are coming out of an oral tradition, it is very exciting to get into reading and writing and it is quite interesting how frequently people want to write their own story. Sometimes it is straight history - this is how we came about, how our town was created, a lot of that kind of effort, as soon as literacy came. The first thing you wanted to do was to put something down about who you are or how you are related to you neighbors. Then the next stage would be the stories, the cultural part of the story: this is the kind of world our ancestors made or aspired to.
I'm not talking about what came later [after the American underground punk scene], indie music, or whatever you want to call it, but the music that came before that - that's an important story. So many interviews with musicians get the time or context wrong. You have these older bands, usually men, who tell stories about "Oh, we got into this huge fight, this guy punched that guy," that's the wrong sort of story. My view of the time is truly pioneering.
I came to the U.K. at the age of 19 and I didn't know anything about the working-class tradition, the Labour Party and the unions. I learned it. And in doing so, I came to appreciate that, if you're going to intervene politically, you'd better bloody well know something about the class on whose side you want to align yourself.
I have been so blessed not only to talk about things that I want to talk about in my industry, but also to have a platform - and people want to hear about it. People want the change; people want the difference; people want to know what's going on. People want to see themselves in the industry that for so long has ostracized girls of my size.
Some people just see the glory and they don't want to know about the story.
We think that we know people from this constellation of points: 'I know that story. I know that girl. I've heard that story a thousand times.' But actually, you never know that story.
In terms of directing a feature, I'd want the story to be right - you know, it's a year of your life, and you have to be focused on one thing, so I want it to be a story that I really, really care about and will enjoy making.
You know where the people who killed people in San Bernardino came from. You know where people who did 9/11 came from. You know where the people who did Paris came from, where they transited, where they went. None of them even set foot in Iran. So why are you punishing people who are visiting Iran for that? . . . We're not going to radicalize them. We never have. Your allies have radicalized people who visited.
The story of Kal-El is actually a great story about adoption. He is an alien who has embraced his human side. As much as he loves and honours his heritage, and he needed to know where he came from and discover who he was, he has to decide who he is going to be.
You know, I hope that someday they make a movie about me. People need to know the story of 'Dolemite;' they need to know my story.
People want to label people and that's all they want to do. They don't want to get to know them, they don't want to understand the story, in-depth.
I feel like I want people to... I guess not be as judgemental of situations because they might not know the full story. Just to try to be nice about other people's struggles and be understanding and not judge people based on their circumstances.
The Universe story is the quintessence of reality. We perceive the story. We put it in our language, the birds put it in theirs, and the trees put it in theirs. We can read the story of the Universe in the trees. Everything tells the story of the Universe. The winds tell the story, literally, not just imaginatively. The story has its imprint everywhere, and that is why it is so important to know the story. If you do not know the story, in a sense you do not know yourself; you do not know anything.
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