A Quote by Debbi Fields

When somebody says, "You can't," I say, "Why not?" — © Debbi Fields
When somebody says, "You can't," I say, "Why not?"
Sometimes I get the feeling that there are orgies going on all over new York City, and somebody says, `Let's call Desmond,' and somebody else says, 'Why bother? He's probably home reading the Encyclopedia Britannica.'
When you're in love, when somebody says something like, "How can you be with that woman?" you say, "What do you mean? I am with this goddess of love, the fulfillment of my whole life. Why are you saying this? Why do you want to throw a rock at her or punish me for being in love with her?
It's pretentious to say, but my art is like a little Zen story, a story with a question mark at the end. People can take from it what they need. If somebody says, "Your art is very funny," I say, "You are totally right." If somebody says, "Your art is very sad," I say, "You are totally right." In Japan they say, "Your art is very Japanese, you even look Japanese.Your great-grandfather was most surely a Japanese man." And I say, "You are totally right."
In my first meeting with somebody, I kind of say, "What are your expectations?" And there are some people who say, "I just want to be fair," so then we have to qualify what that means. But when somebody comes in and says, "I just want to nail him. I just want to exact as much punishment as I possibly can." Well, that might be a case where I say, "We may not be the right firm for you."
When I'm watching somebody act, it's a behavior editorial function - I look at someone act, and I might say, 'I don't believe him when he says that.' I don't know why I don't believe him, probably because the people that I've met, they don't act like that when they say stuff like that and mean it.
If you can't smile and have fun, you're in trouble. So if somebody in the stands says hello, I'm going to say hello back. Why shouldn't I? I know what I'm doing in this game. I'm still going to be ready to hit when I step in the box.
Are you one of those people who notices the problems of the world and says ... somebody ought to do something about that? Why not you? If you feel a strong urge to see a problem fixed, then why not act on it?
If somebody votes for a party that you don't agree with, you're free to argue about it as much as you like. ... But on the other hand, if somebody says, 'I mustn't move a light switch on a Saturday,' you say, 'Fine, I respect that.'
I can't understand how some bands are criticized for doing something different and other bands are rewarded for doing things different. At the end of the day, I throw my hands up in the air and say, "F**k it." I've come to accept that no matter what we do, there's going to be somebody out there on the Internet that says it's a piece of s**t and somebody who says they really like it. That's happened with every single album we've put out.
I just try to put the thing out and hope somebody will read it. Someone says: 'Whom do you write for?' I reply: 'Do you read me?' If they say 'Yes,' I say, 'Do you like it?' If they say 'No,' then I say, 'I don't write for you.'
Luckily, I had incredible parents who, when they saw a problem, didn't say, "Why doesn't somebody do something?" They would say, "Why don't we do something?".
I am nervous about how my debut novel will be received, because there's always that feeling that somebody might say something negative. I say I won't read the reviews, but I probably will. But just because somebody says something negative, I don't have to believe it.
As they say, there are two rules in improv: Never say no, and never ask why. When another actor asks 'Why?' or says no to something you're suggesting, then it's very clear that they're putting the onus on you, because they're not comfortable with it themselves.
Mathematics is really an art, not a science. You could say science also is an art. So I would say the difference is something you can't really describe - you can only recognize. You hear somebody playing the violin, and it was Fritz Kreisler or it was somebody else, and you can tell the difference. It is so in almost every art. We just don't understand why it is that there are just a few people who are just completely off the scale and the rest of them are just mediocre. And we don't know why. But I say it's certainly true of mathematics.
It's important, therefore, to know who the real enemy is, and to know the function, the very serious function of racism, which is distraction. It keeps you from doing your work. It keeps you explaining over and over again, your reason for being. Somebody says you have no language and so you spend 20 years proving that you do. Somebody says your head isn't shaped properly so you have scientists working on the fact that it is. Someone says you have no art so you dredge that up. Somebody says you have no kingdoms and so you dredge that up. None of that is necessary. There will always be one more thing.
Religion ... has certain ideas at the heart of it which we call sacred or holy or whatever. What it means is, 'Here is an idea or a notion that you're not allowed to say anything bad about; you're just not. Why not? Because you're just not. If someone votes for a party that you don't agree with, you're free to argue about it as much as you like; everybody will have an argument but nobody feels aggrieved by it. ... But on the other hand, if somebody says 'I mustn't move a light switch on a Saturday', you say 'I respect that'.
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