A Quote by Deborah Meaden

I love the full-on Hollywood glamour of the 1930s and '40s. — © Deborah Meaden
I love the full-on Hollywood glamour of the 1930s and '40s.
Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
I love fashion from the 1930s and '40s - shoulder pads, high waists, things with structure. That is classy for me. Andrea Riseborough from the Madonna movie 'W.E.' had an amazing wardrobe.
I love biographies. I'm especially into stuff about Hollywood in the '40s and '50s. I find it fascinating and terrifying.
I was in Hollywood. It's the mythology heart. It's where all the European films came in the '30s and '40s. The marriage between Europe and Hollywood has always been the best when it works.
When I was growing up in the 1930s and '40s anti-Semitism was rampant. It wasn't like Nazi Germany but it was pretty serious - it was part of life.
I think Hollywood is more of a state of mind then a place. There are certainly iconic locations in L.A. but as far as the glitz and glamour of old Hollywood and the studio system, that's all but faded away.
I love regal looks on the Oscars red carpet. I just love old-Hollywood glamour. I love hair pulled back off the face, beautiful makeup...long sleeves are really elegant. The Oscars are not a place to be too flirty or fun or sexy.
Glamour's my thing. The glamour is what got me into this business in the first place. I lived in a fantasy world in order to survive. Now that I'm here, I plan to work it. That means playing the part--long, tight dresses, slick! Unless you rise to the occasion, Hollywood doesn't really exist.
The Holocaust would never have happened if black people lived in Germany in the 1930s and 40s … well, it wouldn't have happened to Jews.
Open a magazine from the 1930s and '40s and look at the illustrations in it. There's nobody alive that could touch the way they could draw back then.
Our love of Hollywood-style glamour helped elect two presidents: JFK and Reagan, who fulfilled the prophecy that a country so enamored of actors would eventually make one their president.
I come from a family of writers. My mom had been a writer, nonfiction books, and her mother was a playwright in the 1930s and '40s. And my twin brother, Alexi, is a writer on 'The Following.'
The 1930s Hollywood was capable of hurting me so much. The things about Hollywood that could hurt me (when I first came) can't touch me now. I suddenly decided that they shouldn't hurt me - that was all.
Yes, I'm a reasonably good self-taught historian of the 1930s and '40s. I've never wanted to write about another time or place. I wouldn't know what to say about contemporary society.
Old Hollywood icons such as Marilyn Monroe, Vivien Leigh, and Bette Davis are so inspiring; their style is romantic and feminine and their glamour mesmerizing. I love the idea of channeling that spirit on your wedding day.
It's weird, because American films in the 1930s and '40s, particularly melodramas, were made for woman, from Bette Davis to Joan Crawford to Barbara Stanwyck to Katherine Hepburn, and for some reason we've taken a step backward in this sense.
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