A Quote by Deborah Meaden

The minute I think 'Oh God, I don't want to do this because I'm scared,' is the moment I have to do something, whatever it is. — © Deborah Meaden
The minute I think 'Oh God, I don't want to do this because I'm scared,' is the moment I have to do something, whatever it is.
Once you do something that people respond to, they understandably think of you in that way, and you want to work and it's fun and it's wonderful. I think a lot of people in all different fields find themselves in a moment of repeating certain beats. There's also a moment that is personally related to age as well - in whatever field you're in, you say, "Wait a minute, where am I and how did I get here? How has this changed from my original intent and what do I want to do about that now?" That's part of the process.
I think God is something that people use to avoid reality. I think faith allows people to reject what is right in front of our eyes, which is that thing, this life, this existence, this consciousness, or whatever word you want to use for it, is all we have, and all we'll ever have. I think people have faith because they want and need to believe in something, whatever that something is, because life can be hard and depressing and brutal if you don't.
I used to be a professional kiteboarder. People were like, 'Oh, my God, are you scared of sharks? Are you scared of injuries?' You can't be scared. If you're scared, then you can't do it. You can't train to be the best.
So she became impulsive, scared by her inaction into perpetual action. When the Eagle confronted her with the expulsion, maybe she blurted out Marya's name because it was the first that came to mind, because in that moment she didn't want to get expelled and she couldn't think past that moment. She was scared, sure. But more importantly, maybe she'd been scared of being paralyzed by fear again. ~Miles/Pudge on Alaska, pg 120-121
When you start projecting on the future - "Oh my God, I gotta do this and I'm not there yet" - well, of course you're not there yet because you're here now. That time will come. I try to stay in the moment as much as I can and find whatever joy I can in that moment, no matter what it is. Then it doesn't feel as stressful.
I'm always trying to understand who I want to be, what I want, what I dream of. When I was a kid, I was really worried that my parents were going to bring me back to the orphanage. I was scared of tomorrow, scared that I was going to be abandoned again. So I tried to enjoy every minute of my life because maybe tomorrow wasn't going to happen. I think I live the same way today: scared of tomorrow. For someone who is considered a party boy, a guy who just has fun and drinks champagne, I'm really tortured.
That's the way to go. People say: 'Oh, he doesn't want to come back, he's scared,' and it's to play with your brain, to play with your mind. I'm not scared of nobody. I'm not scared of no human being. I'm scared to fight, every time I fight I'm scared, but I'll bite into my mouthpiece and I'll walk the walk.
If someone says you are not capable or can't have something, keep pushing because you can. And it's not because you're special, but it's because everyone possesses the ability to be awesome. The reason people say, 'No, you can't,' 'God doesn't want you to,' or they make laws is because they know that you have that in you. And they are scared to lose their superior standing.
We're normal people. Don't be scared because we are in a chair. People don't understand that. They think, 'Oh, a wheelchair, something's wrong with their heads, something's just not right.' Well yeah, we may be a little twisted, but no more than anyone else.
I think the only way to achieve something that's classic is to be in the moment. You don't sit around and think, 'Oh, I hope this is remembered forever!' You just have to be honest, and I think that requires being in the moment.
I think artists are scared to have same-gendered pronouns in their writing, and I don't think it's because they're scared to be out, because gay artists are visible, but they don't want to alienate an audience.
I find often I'm wandering around the park with my kids, and I notice something, and I think, 'Oh, I could come up with a clever Facebook post about that.' It's like, 'Wait a minute - that's not what I should be thinking. I should be present in the moment with my kids.'
You don't want to be the smartest person in the room; you want to be the dumbest in the room. You want to be surrounded by other thinking people who are going to say something that makes you think, "Oh, my God, that's an amazing idea. Why didn't I think of that."
I think the hardest part is figuring out what to say no to because the whole start of your career is just begging anybody to let you perform or to contribute music to something. Then it's like turning on a faucet because the moment it's on, people are like, "Oh, you can do stuff? All right. Well, you want to do it every single thing?
The minute you point a camera at something, you are manipulating the image, because you are cropping out whatever is to the left and right of it. The minute you put a light on someone, you are manipulating the image.
Whatever is happening, whatever is changing, whatever is going or not going according to my plans - I release my hold on all of it. I leave behind who I think I am, who I want to be, what I want the world to be. I come home to the great peace of the present moment.
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