A Quote by Deborah Meaden

Nearly everybody, when they first meet me, seems to have this sense of trepidation. — © Deborah Meaden
Nearly everybody, when they first meet me, seems to have this sense of trepidation.
Everybody I meet in public seems to want to audition for me. If I ask a guy what time it is, he'll sing it to me.
I don’t know about ‘common sense opinion’ by the way. It seems to me that the office of common sense is to keep us from playing cards for high stakes with people we meet on trains, and not to endorse metaphysical opinions.
I always believed you could learn something from nearly everybody you meet, if you're open to it.
It seems to me that humour is everybody's way of keeping sane and standing off from the situations so that they can see it intellectually, as well as emotionally, and I don't know whether you've noticed, but if somebody tells a joke, it's nearly always a mini fantasy.
Understand--it ALWAYS makes sense. Sense can't be avoided. If it first seems to be non-sense, wait: roots will reveal themselves.
Everybody talks about that one when they first meet me. 'Man, I still remember the play you shook Jordan.' Everybody gonna always remember it because it was Jordan.
When I look back at my paintings, they don't give me a sense of where I was when I first met that guy. They don't give me a sense of what I felt like when I first saw that original source material. They give me a sense of the world that I'm trying to create. And we all just have to deal with that.
I mean, it just seems to me that everybody wants to get on each other, everybody wants to attack everybody.
It seems like everybody seems to forget about me all the time.
But the first lie in the series is the one you make with the greatest trepidation and the heaviest heart.
I speak to everybody. I'm one of those kind of artists that I'm cool with everybody. If they [fans] want to meet me, it's cool. That's as far as it goes. But I'm the cool artist. I shake everybody's hand, try to sign all the autographs, take pictures when I can.
Being at the centre of a film is a burden one takes on with innocence the first time. Thereafter, you take it on with trepidation.
The human instinct for self-preservation is strong. I know, because mine pulls at me, too, like the needle on a compass. And everybody - I've been reading some philosophy - everybody seems to agree that the instinct and responsibility of all humans is to take care of themselves first. You have the right to self-defense. You have the right to survive, if you can.
Everybody that I meet inspires me. You can learn so much from any person that you meet any day on the side of the street.
Dancing allows me to go away and not have to think of what I’m doing next. That is the opportunity for me to really escape. I like to say I have a good sense of judgment, but I know that not everybody does. The older I’ve gotten, the more I’ve learned that I have to open myself up to all opportunities. Maybe I’ll get burned and not meet the right people, but I won’t know until I do it.
It's beginnings that are hard. I always begin with a great sense of dread and trepidation. Nietzsche says that the decision to start writing is like leaping into a cold lake.
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