A Quote by Debra Granik
Sometimes a rural life - without agricultural culture, community, or land - it means that you're a very long drive from everything. It's a big cultural isolation in terms of any kind of schooling where you could get exposed to things that might push the positive buttons. The geography of where people find themselves situated, both in metropolises and in the heartland, really starts to matter.
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A people who free themselves from foreign domination will be free culturally only if,
without complexes and without underestimating the importance of positive accretions from
oppressor and other cultures, they return to the upward paths of their own culture, which is
nourished by the living reality of its environment, and which negates both harmful influences
and any kind of subjection to foreign culture. Thus, it may be seen that if imperialist
domination has the vital need to practice cultural oppression, national liberation is necessarily
an act of culture
I think the reason that swearing is both so offensive and so attractive is that it is a way to push people's emotional buttons, and especially their negative emotional buttons. Because words soak up emotional connotations and are processed involuntarily by the listener, you can't will yourself not to treat the word in terms of what it means.
Individuality is different than isolation. Isolation is trying to do everything on your own, living life by yourself. Isolation happens when you choose not to be involved in any communities, making sure you keep a safe distance from people in your life. I’m not recommending isolation. Science, psychology, and religion all suggest long term isolation is dangerous and unhealthy.
I can't really deal with buttons. And that's what I keep saying, "Okay, I can't push buttons, because that means I have to take my hands off the keyboard or the buttons or whatever. Don't you understand!" .
One of the things that any kind of studies bring out is that the mere act of schooling - getting together, the organization involved, going to classes on time, and there're things being taught, sitting down with others with different backgrounds, chatting with them, and, sometimes when there are big barriers, eating together when there are school meals, which are big things together with a big social impact - they themselves have a major effect.
My stories tend to bring people from isolation into community - with at least one other person, usually with a whole community of people - so that they find themselves accepted back by a world that they kind of fled from.
With social media, you have this new kind of way to communicate with people that's very immediate, sometimes alarmingly so, sometimes painfully so. If you could just hold some objectivity, a very direct, unfiltered, raw reflection of the way something is landing in the culture without any spin, or filtration, or anything, it's very raw.
A label's typical plan would be to put something out that's safer and get fans, and then push buttons, but my idea is to push buttons first, scare off the people who are gonna be scared off, and then the right people will like you for who you really are, and stay with you.
In terms of just the number of people who run, New York is really unlike any other city. We have such a culture of people who would qualify themselves as runners, and then we have a whole host of people who maybe wouldn't consider themselves a part of that community, but who do actively run, whether it's for exercise or whatever reason they want.
We all press buttons in relationships, in our dealings with people, without thinking what it really means. We all knock along without questioning what kind of situation we're in. We may often be in a very good one, but we don't even appreciate the good situations. We're lazy. Or we're scared. Or we just don't notice.
Today everything comes under the laws of competition and the survival of the fittest, where the powerful feed upon the powerless. As a consequence, masses of people find themselves excluded and marginalized: without work, without possibilities, without any means of escape.
Another thing is, people lose perspective. It is a cultural trait in America to think in terms of very short time periods. My advice is: learn history. Take responsibility for history. Recognise that sometimes things take a long time to change. If you look at your history in this country, you find that for most rights, people had to struggle. People in this era forget that and quite often think they are entitled, and are weary of struggling over any period of time
She knows where she's going, and what she has to do. She could, after all, find her way to Route 95 South blindfolded. She could do it in the dark, in fair weather or foul; she can do it even when it seems she will run out of gas. It doesn't matter what people tell you. It doesn't matter what they might say. Sometimes you have to leave home. Sometimes, running away means you're headed in the exact right direction.
For me, filmmaking is an ongoing self-reflection process. I kind of push everything to the edge. I feel very exposed and fragile when I make a film. It's a process of dealing with loneliness. And it's also very dramatic - because while you are working on a film, you just realize how incapable you are of dealing with all these things. And you open yourself up, and it's like your heart is utterly exposed. And it's very tiring on a daily basis.
There is for a man two things in life that are very important, head and shoulders above everything else. Find work you like, and find someone to live with you like. Very few people get both.
I don't push buttons to push buttons. Throwing the rebel card out there is really cheap.
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