A Quote by Debra Granik
I don't want to make fictional characters who are perfect - that's a vanilla situation - but the fact is you are allowed to more carefully select and curate what it is you're going to explore.
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What interests Sam Mendes are characters and relationships, and he was a genius at giving you the freedom to create the type of character you want, and also to explore and have fun with your fellow actors. For him, characters and relationships are really the heartbeat of the film, and then the action is the backdrop. By developing the characters, he makes you care that much more about the action and going on a journey with the characters.
It's not fiction's job to be photographically representative of reality. If I want to make a fictional world where there's no kindness, this doesn't mean I believe there's no kindness in the real world. In fact, what it may mean is that I very much value kindness. Like if you make a painting in which only greens are allowed, it wouldn't mean you don't believe in blue.
If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.
I need to make the characters that I play in movies more accessible to audiences, more real. As an actor, you're always passive; you're not making that many choices, so when something allows you to open up a bit, you want to explore your newfound freedom.
I do not like to encourage personalized politics, so we would not like it to be thought that just because certain political personalities were attacked, this means the situation is very grave. The true gravity of the situation comes from the fact that ordinary members of the NLD are repressed all the time. We don't want a completely paralyzed political organization, while a select few leaders are protected by international attention.
I think it's more fun to grow to love characters who are flawed than it is to present perfect characters. Perfect characters aren't very funny. Certainly my friends are a strange, intense bunch of people, and people's families drive them crazy, but challenging relationships are always more rewarding.
Giving voice to marginalised characters is extremely important to me. I want to explore the pain of disenfranchisement, the social strata and boundaries we create and how to make them more permeable.
I curate my T.V.-watching quite carefully.
In a perfect world global emissions would have peaked already. In a semi-perfect world we will peak on Dec. 31, 2020. The fact is, that's going to be difficult. We know that it's going to get more and more expensive the longer we delay.
I'm trying to listen to my past, listen to what's most deeply going on inside myself, my creative set of fictional characters, a fictional world - to listen to that world, to search.
My view was that if you're going to make a mistake in your predictions, make sure you make them the right way. Don't put yourself into a situation where, in fact, you say you're going to do something, and then all of a sudden you can't.
I want to do a 'Facejacker' film. I want to explore the characters more, maybe do a Terry Tibbs chat show.
I don't think there is a fictional character who resembles me because fictional characters are not real!
I quote fictional characters, because I'm a fictional character myself!
When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.
When I write fiction, I have the illusion of being able to control these fictional worlds and these characters, and to make them say what I want them to say. Of course, the problem is that it is an illusion, and by the end of it you realize that you're not in control of it at all; the characters have taken over, and they're driving the vehicle.
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