A Quote by Debra Granik

I need and want to see capable women. I don't like to see them weep all the time. — © Debra Granik
I need and want to see capable women. I don't like to see them weep all the time.
I still use the pronoun she for my publicity materials, and for mainstream media stuff, for two reasons: the first is that I do a lot of work in public schools, and I want those young women and girls to see every kind of she there can be. I want them to see my biceps and my shorn hair and shirt and tie and for some of them to see me as a possibilityI want them to see me living outside of the boxes, because they might be asphyxiating in their own box and need to see there is air out here for them to breathe, that all they have to do is lift the lid a little.
Older women know who they are, and that makes them more beautiful than younger ones. I like to see a face with some character. I want to see lines. I want to see wrinkles.
I see women as oppressed, but I don't see them as victims; I see them rising all the time. I see them as very strong.
I really don't like that modern notion of 'I don't need anyone.' I see a lot of young women feeling they have to be that way, they have to be hard, in a way. And what does that bring them? They're just going to be lonesome. They're going to be, at best, lonesome and capable, at worst, lonesome and hard. And is that what we want? No.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
The Oracle rose. As one, the three witches bowed. "See?" Bran jerked his thumb at the three women. "That's how a woman should treat a man. Next time you see me, I want you to do just like them.
We see parts of each other, and we put them together. But if I want to see you in totality, you need to move away; we need space between us. Across the street, I can see all of you at once, but then I also see this huge vista of space surrounding you, coming in and compressing you.
We see women on the field; we see them interviewing players, we see them coming out of the dugout. But if you put them in the booth - like, hold up, wait a second - you haven't been there before. This is different.
I think audiences have always wanted to see women in the movies, but every time a movie like 'Bridesmaids' comes out, everyone says, 'Oh how funny, people do want to see women in the movies.'
Women want to see more women that look like themselves - they don't want to see something completely unattainable.
I personally don't like to go see romantic comedies. But people do want to see them, and they seem to want to see me in them.
I want to see designers capitalize on a beauty that is not only white. I need them to stop acting like beautiful black and brown women do not exist.
Sure, kids want to read whatever is the hot book, and of course they want to read fantasy and any kind of speculative fiction, but they also like to read stories with kids that look just like them, that have the same problems as them. And I've noticed that what they particularly want to see is to see those characters prevail. So they don't want sanitized situations. They want stories to be raw, they want them to be gritty, but they also do want to see the hope at the end of the story.
Most people see what they expect to see, what they want to see, what they've been told to see, what conventional wisdom tells them to see - not what is right in front of them in its pristine condition.
I want as many women as possible to see that they are capable. We can do anything.
No matter what the genre, I want to see me and my friends. I want to see reality. I want to see what we're really like. I loved 'Bridesmaids'. I thought it was the most honest portrayal of female friendship in such a long time.
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