A Quote by Debra Granik

The social-media discourse is very different from what it might be on the ground. It's easy to bloviate without having to look anyone in the eye and then having those sentiments swell and amplify and go viral.
With the rise of social media, it has given me an opportunity and a platform to have a voice as a blogger and as an activist, but it has also made me nervous that I might become a meme or a viral sensation, all without my consent.
When we first started 'The Breakfast Club,' we wanted to have a video person dedicated to filming our interviews and sending out content. I think having video clips that could go viral, or get picked up by media outlets, helped us get syndicated, because people in other cities were familiar with us from having seen our videos.
Good social media is authentic. What makes social media work is actually having something to say.
With social media, if you have a viral video people can like what you do and it's homegrown and very organic.
You can't be in the public eye without making mistakes and having some regrets and having people analyze everything you do.
I'm very open in terms of sharing bits about my life, but I think it's very easy to get a distorted sense of who anyone is through social media.
How you go about testing is just very different to just being in the situation of qualifying, having to go out, having to nail the lap.
Having animals in the city is entirely different from having animals out in the country. For one thing, it's more social. When you live on lots of acres without neighbors within a stone's throw, your dog-walks are usually solitary rambles over hill and dale.
I shift between mediums very frequently. Instead of taking a break from writing, I just write in a different medium or in a different way or for a different purpose, so that I don't actually stop writing - I just go to something else. Like going from a big symphony to a piano piece is great and very refreshing, I find. And then going from that to a big concerto, and then having to go out and play.
There's nothing worse than having a very strong female character and then suddenly having it go away.
Unfortunately, unlike when my parents grew up, you can't turn social media off. It's not like you can go home and avoid the bully's wrath. It follows you everywhere and is 24/7, and especially in the cases of assault that go viral. I mean, your worst nightmare is literally on the internet forever and that is a reality that very few people understand.
It's very much the currency of discourse on social media where political disagreements very quickly become very personalised.
If you go around a time when you're hungry, around mealtime, then you have a desperate search to find something to eat and you have this interplay between approach and avoidance. You go in a place, you smell, if it doesn't smell so good you go to the next place, you look at all the people, they're happily eating, and then you choose that place. So having to reconnoiter, having to go on a kind of treasure hunt for food is one of my favorite things.
We live in such an isolating time with technology and social media and I think that creates this feeling of having to connect, of having so many ways to connect but nothing's connecting.
When I look back on the past two decades of my journey today, I guess many people would interpret my artistic practice as a kind of cross-media attempt. I have indeed tried many different kinds of media over the past 20 years and collaborated in many different ways with people from many different fields. However, I like to understand this process as a kind of compensation for having once lost my "right of choice," an exercise of free choice and taking responsibility for any consequences that might result from it. To be honest, it's a bit of a paranoid act.
Being driven helps; if you look at any athlete or entertainer, they're all going to come to times where, if it's handed to you and it's easy, then it's not worth having, and it hasn't been easy.
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