A Quote by Dee Rees
Before Charlottesville, it might have been easy to dismiss the plot of 'Mudbound' as no longer relevant. Now, I feel like audiences will be more receptive to the material - and to interrogating their personal histories after watching it.
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As a historian I understand how histories are written. My enemies will write histories that dismiss me and prove I was unimportant. My friends will write histories that glorify me and prove I was more important than I was. And two generations or three from now, some serious sober historian will write a history that sort of implies I was whoever I was.
A wider of more altruistic attitude is very relevant in today's world. If we look at the situation from various angles, such as the complexity and inter-connectedness of the nature of modern existence, then we will gradually notice a change in our outlook, so that when we say 'others' and when we think of others, we will no longer dismiss them as something that is irrelevant to us. We will no longer feel indifferent.
I've always been outwardly personal. I've always been that chick. A lot of my friends be like, 'TMI, Tiffany, TMI.' I just feel like it's important to share your experience on this Earth, because you never know who's watching, who might be going through the same thing, who might feel devastated.
One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody was watching it. Now that people have started watching it, they get ahead of us. We've all started really guarding the material, just to make it fun for the audience.
The problem for me is that I just don't often come across material that speaks to me and my TV education. Before we all had DirectTV and Netflix and Amazon, there's literally 15 years where I saw nothing. Now, I get the pleasure of binge-watching, so now I feel like I'm much more in a TV state of mind, because I binge-watched so many incredible TV shows that now I'm actually a little bit more excited about working in the space.
People who pray stand receptive before the world. They no longer grab but caress, they no longer bite but kiss, they no longer examine but admire.
Maybe in writing about and through trauma it was therapeutic in a way, but it didn't feel like it at the time. I was in a very dark place, in lots of foreign cities, far from New York. A lot of personal trials and tribulations took over my life in those years. It might be some time before I see what therapeutic function this book did serve. But for now, it's not even easy to read from it.
Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an action is through. That is all Plot ever should be. It is human desire let run, running, and reaching a goal. It cannot be mechanical. It can only be dynamic.
Having worked on 'The Hour,' I now feel like I spend my whole time interrogating history.
You will have to write and put away or burn a lot of material before you are comfortable in this medium. You might as well start now and get the work done. For I believe that eventually quantity will make for quality.
Its okay, Beth.I don't want my life to go back to the way it was before i met you.I thought i had it all,but really i was missing something. feel like a completely different person now.This might sound corny,but i feel like i've been asleep for a long time and you've just woken me up.
I do think that the Trump presidency, even for the resistance, there is pre-Charlottesville and a post-Charlottesville moment, and Donald Trump's response to Charlottesville was a kind of extraordinarily shameful moment, I think, actually for the country.
'Mudbound,' you know, is about home. 'Mudbound' is about what it means to be a citizen, and 'Mudbound,' in fact, is set in this post-reconstruction era that we haven't really explored. You know, not since 'Sounder' have we even really explored that experience.
In comics, there are depths that don't reveal themselves immediately, and the stuff that you might consider anal about 'Watching the Watchmen' - like the notes where I plot the rotation of a perfume bottle through the air - might not be particularly obvious to anyone who reads it.
The whole of life is just like watching a film. Only it's as though you always get in ten minutes after the big picture has started, and no-one will tell you the plot, so you have to work it out all yourself from the clues.
It's not easy to come somewhere new and have to find your place. You might feel someone doesn't like you, or you might need to find new friends. It's not easy, and I don't like this kind of thing. It's not easy, so you want to protect the players who are alone.
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