A Quote by Dee Rees
I think 'Mudbound' reveals the interconnectiveness of our stories. You can't separate out threads of history and race as economic construct. 'Mudbound' makes it very plain. Race is about commerce; it's not an actual thing. It's a fiction that was created to basically divide resources unequally.
Related Quotes
'Mudbound,' you know, is about home. 'Mudbound' is about what it means to be a citizen, and 'Mudbound,' in fact, is set in this post-reconstruction era that we haven't really explored. You know, not since 'Sounder' have we even really explored that experience.
No man will treat with indifference the principle of race. It is the key to history, and why history is often so confused is that it has been written by men who are ignorant of this principle and all the knowledge it involves. . . Language and religion do not make a race--there is only one thing which makes a race, and that is blood.
But George Lucas is carrying about Black actors, about Black men, about Black history, which really incorporates and tells all of history. You can't take one race out without eliminating every other race if you're going to tell the story of the human race.
Back when we were Neanderthals or whatever, we evolved to think along tribal lines. Survival was based on this idea of who are we and who are the others who will come and take our resources. I think it's an animal and a human thing that we all see in terms of us vs. them, and race is a very easy way to separate who is us and who is them.
White people have basically been encouraged for most of recent history in America to think of themselves as outside of race. White people do have race. They need to understand how their race has been constructed as artificially as everybody else's.
I don't think we should stop emphasizing race because I think, you know, race is still very, very important, and we have to recognize that and continue to introduce programs to address racial inequities. But we have to widen our vision and also address the growing problems of economic class.
There is no such thing as race. None. There is just a human race - scientifically, anthropologically. Racism is a construct, a social construct... it has a social function, racism.
I talk about race a lot. It's been my work ever since I came out of acting school. But it's true that in a way talking about race is a taboo. Because so many of our debates about race have to do not with race but with what we are willing to see, what we will not see and what we don't want to see.
Race is such a contentious issue because of the painful history of racism. Race didn't create racism, but racism created race.
I think it is difficult to achieve a meaningful political coalition if you have race-based programs that divide members of the coalition. The problem I have, however, is that white people assume an either/or position: Either we have race-based programs or we don't. What I see is comprehensive social reform that includes race-based and race-neutral programs.
Race is the true protagonist of the American novel. Our most popular classic fictions have known this, from 'Moby Dick' to 'Beloved;' all these books take on race or talk it out, often in other forms; they are less 'horror stories for boys' than ghost stories from a haunted conscience.
I think it's important to humanize history; fiction can help us remember. A lot of books I've read in the past have been so much more important than textbooks - there is an emotional connection with one particular person. I'm very much of a research-is-important type of fiction writer, even for contemporary fiction. I wrote about blogs in America and I've never blogged. But I read many, many blogs - usually about feminist things, or about race, or about hair.
I can't name a single issue with roots in race that doesn't have economic implications, and I cannot think of a single economic issue that doesn't have racial implications. The idea that we have to separate them out and choose one is a con.
So much of 'Mudbound' is about man's relationship to the land and to the elements. It's about the desire for control and how powerless we are against nature. We always knew we would shoot widescreen as a means to isolate a body in the frame and to highlight our own insignificance.
The very thing about people that makes the human race interesting is also the thing that makes it so hard to get anything done without the most horrible confusions: no two people think exactly the same way about anything.
We still write too many stories that are "state of the race" stories that are informed almost solely by what the polling shows and by what we're then deducing about who's up, who's down, and I'm just not sure that's very helpful to readers, it certainly doesn't elevate the debate and, and the problem is if you, if you cover these things, and I don't think the Times is particularly culpable, I think other news organizations are worse, if you cover them in an entirely "who's up, who's down" horse race way.
Related Authors
Alejandro Gonzalez Inarritu Quotes
Mexican
Director
Ava DuVernay Quotes
American
Director
David Lynch Quotes
American
Director
George Lucas Quotes
American
Director
Guillermo del Toro Quotes
Mexican
Director
John Waters Quotes
American
Director
Judd Apatow Quotes
American
Director
Martin Scorsese Quotes
American
Director
Nicolas Winding Refn Quotes
Danish
Director
Oliver Stone Quotes
American
Director
Peter Jackson Quotes
New Zealander
Director
Quentin Tarantino Quotes
American
Director
Ridley Scott Quotes
British
Director
Steven Spielberg Quotes
American
Director
Werner Herzog Quotes
German
Director
Woody Allen Quotes
American
Director