A Quote by Dee Rees
We shouldn't be discriminating against each other. The whole 'light skin versus dark skin' is an idea we need to break down.
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When I was, like, 5 years old, I used to pray to have light skin because I would always hear how pretty that little light skin girl was, or I would hear I was pretty to be dark skin. It wasn't until I was 13 that I really learned to appreciate my skin color and know that I was beautiful.
Dark skin is considered less than light skin in the in the minds of many in our community and in the media.
Americans have their issues with skin colour, even within the black community, with light and dark skin; it's crazy - but no one's oblivious to it.
I have six brothers and sisters. We all look totally different: blonde hair, curly hair, green eyes, dark eyes, dark skin, light skin. It's just how it is.
European standards of beauty are something that plague the entire world - the idea that darker skin is not beautiful, that light skin is the key to success and love. Africa is no exception.
Barack Obama would not be President if he were dark skin. You know what I mean? That's just the truth. I might not be as successful as I am now if I was dark skin.
Put light against light - you have nothing. Put dark against dark - you have nothing. It's the contrast of light and dark that each give the other one meaning.
I wanted to touch on how we look on each other. Good hair, light skin, you must be smart; if you're black, you're dark-skinned, you're ugly. That really happens. This is something that started with slavery, when they divided the house, and it's still a part of today's society and things that we battle with.
The largest country with the largest consumption of skin bleach in the world is India. Indian men are bleaching their skin because, in terms of marriage, if your skin is dark, it's assumed you work in a field. If your skin is lighter, it's assumed you work in an office because you're not getting enough sun. Indian men are bleaching their skin.
The colour of my skin determines what opportunities I have; the colour of my skin says there's only room for one or two of us to be accepted in a certain job; the colour of my skin has dictated everything I've done in my whole life.
Cinema is a little over 100 years old, and a lot of what we do is built around film emulsion. Those things were calibrated for white skin. We've always placed powder on skin to dull the light. But my memory of growing up in Miami is this moist, beautiful black skin.
Everything in his life had come down to the sensation of her fingers against his. The person he was, the history he carried within himself, every joy and grief he had ever experienced, slipped way like an irrelevant garment. He was nothing but skin, speaking to another skin, and between the skins there was no need to find any words.
But when it came right down to it, the skin of my wrist looked so white and defensless that I couldn't do it. It was as if what I wanted to kill wasn't in that skin or the thin blue pulse that jumped under my thumb, but somewhere else, deeper, more secret, and a whole lot harder to get.
I'm very into dark colors. I try to rock the dark against the ghost white skin as much as humanly possible.
If I describe a person's physical appearance in my writing, which I often do, especially in fiction, I never say someone is "black" or "white." I may describe the color of their skin - black eyes, beige skin, blue eyes, dark skin, etc. But I'm not talking about race.
The light and the dark are the same. They share. They really do rub up against each other, and they are extraordinarily familiar with each other. They are actually friends.
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