A Quote by Dee Rees

'Mudbound,' you know, is about home. 'Mudbound' is about what it means to be a citizen, and 'Mudbound,' in fact, is set in this post-reconstruction era that we haven't really explored. You know, not since 'Sounder' have we even really explored that experience.
I think 'Mudbound' reveals the interconnectiveness of our stories. You can't separate out threads of history and race as economic construct. 'Mudbound' makes it very plain. Race is about commerce; it's not an actual thing. It's a fiction that was created to basically divide resources unequally.
So much of 'Mudbound' is about man's relationship to the land and to the elements. It's about the desire for control and how powerless we are against nature. We always knew we would shoot widescreen as a means to isolate a body in the frame and to highlight our own insignificance.
'Mudbound' highlights the fact that we're still battling a lot of the same issues as we were all of those decades ago.
I didn't want 'Mudbound' to feel stylized in any way.
Half of 'Mudbound' were shots I stole in between other scenes.
The biggest difference for me was that I operated almost every frame on 'Mudbound,' and I didn't operate on 'Black Panther.'
It's hard to go back to shooting contemporary apartment interiors after you shoot something like 'Mudbound.'
I like Rob Morgan in 'Mudbound.' Most of the attention being paid to this movie has focused on Rachel Morrison's cinematography and Mary J. Blige's stiff but intensely stoical performance.
Before Charlottesville, it might have been easy to dismiss the plot of 'Mudbound' as no longer relevant. Now, I feel like audiences will be more receptive to the material - and to interrogating their personal histories after watching it.
I realized how little I knew about my own country. I had grown up in the suburbs and, after college, I moved out of the country, so I didn't really know the place well. When I started following soldiers and their families back home, it provoked a lot of the questions about who we are as a nation, questions I realized couldn't be explored through the more limited framework of looking at the military at war and at home.
We shot 'Mudbound' in the South in the summer, which meant we were working in extreme heat and humidity at all times and that it could go from glaring sun to overcast skies to pouring rain in a matter of minutes, often shifting multiple times a day.
Isn't it crazy to think that we've explored space more than we have explored the depths of our ocean? That just fires up my imagination about potential sea monsters and cool creatures, that kind of stuff.
When I did 'Battlestar Galactica' it was the first time I really understood science fiction. That was a very political drama, but set in spaceships so people didn't really take it seriously. But some really fascinating things were explored in that.
History is history, and it has to be told, and with 'Mudbound,' it's beautiful because you get to sit with both sides - the white and the black - and see where we meet each other at the end of the day and see where we tear each other apart.
I grew up Baptist and still go to church. I myself have explored other religions, because I want to know what it is that makes other people tick. I find we're all talking about the same thing, really - it's all God.
We are impressed and even daunted by the immense Universe to be explored. "What we know is a point to what we do not know."
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