A Quote by Dee Rees

I was interested with exploring the idea of who gets to be in possession of the land - how it's sometimes impossible to go back home, how family can be the thing that drags you down.
Children have a very good idea of how to distinguish between fantasies and realities. It's just they are equally interested in exploring both.
My family lives there, so I come back sometimes between shows for a couple days. I get back a couple times a year. When I was 30 to 34 I was weirded out when I came back - you know, how your past gets away from you. It's grown so much.
American intelligence and military agencies have a huge footprint in terms of how the world works, but they're largely invisible. I'm interested in exploring those 'geographies' of secrecy from many different angles: political, legal, economic, spatial, etc., because I am fundamentally just interested in how the world works and how societies work.
How do you play someone in a movie? How do you do that? It's impossible - unless you know how. How do you cut somebody open and take out their appendix and sew them back up and watch them get well? That's impossible - unless you know how.
No matter how big you are, when you go back home, your family treats you like a normal person.
You really can't go home again. Sometimes, that's a good thing. Sometimes, when you try, you find out that home isn't really there anymore... but that it wasn't only in your head before. Home actually existed. Home wasn't just a dream. Sometimes, that's the best thing of all.
Not everybody even gets to live with their own family because they have to go to L.A. or New York or wherever to work and find a job and leave their family back home. But every day, I get to work with my family - if I want to.
I am extremely interested in how people negotiate catastrophe, not because I'm morbidly interested in it but because I'm interested in the secret of resilience; that's what I'm always exploring in the stories and the novels.
I get lots of ideas when the lights go out at night and it gets very quiet. Sometimes they come when I first lie down to sleep; other times I wake up with an idea racing through my mind. But regardless of when an idea comes, I have made it a habit to get out of bed and write the idea down before it disappears into my dreams. You should do the same.
Socrates ... brought human wisdom back down from heaven, where she was wasting her time, and restored her to man.... It is impossible to go back further and lower. He did a great favor to human nature by showing how much it can do by itself.
It's amazing when you go back home now, when you remember how you were before. You go back home and all those people are calling your name, shouting. I get mobbed by the kids. They want to see you, want to know you.
I have always been interested in exploring how we can leverage our knowledge about everyday objects, and how we use them, in order to interact with our digital world.
I have had this longstanding interest in going back to school to get a Ph.D. in art history. I was especially interested in exploring this idea of the ecstatic impulse in an artist.
I don't organize myself sufficiently to get an album of material together, book the studio, and go. I need to be kicked; I need to be forced physically to go in. That's how it works for me. I'll get a great idea in the house, and it'll stay there unless somebody comes and drags it out of me!
Sometimes it gets a little hectic on trips because we're skating all day long, and all you want to do is eat dinner and go to sleep. So sometimes it gets a little long for my liking, but the second I get home, it's straight to the shower to fix it all up, and we're good to go.
It is a terrible thing to be happy! How pleased we are with it! How all-sufficient we think it! How, being in possession of the false aim of life, happiness, we forget the true aim, duty!
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