A Quote by Dee Rees
For me, books were my source of affirmation. Alice Walker, Audrey Lord - it was these authors who wrote about their experiences. It was this weird thing where I was censored in terms of what I could watch but not in terms of what I could read.
Related Quotes
I think that the first book that made me think that I could try to be a writer - or that made me aware that a young black woman from the South could write about the South - was Alice Walker's 'The Color Purple,' which I read for the first time when I was in junior high.
Kids don't read as much as you'd like them to, just in terms of seeing the world from different perspectives. I mean, that's the great thing about books, still. Here's television, here are the movies, and it's pretty limited in terms of the perspectives.
I read Herman Hesse's 'Siddhartha' while I was writing 'Lord of Light' along with many other things. It seemed a good time to read it so I could see what he had to say about Buddha. In my first chapter, I was thinking in terms of the big battle scene in the 'Mahabarata.' It helped me in visualizing the battle in my novel.
In the history of literature there are many great enduring works which were not published in the lifetimes of the authors. If the authors had not achieved self-affirmation while writing, how could they have continued to write?
Maybe we need more dialogue in terms of our faith, in terms of those who are believers, or even nonbelievers, about that aspect, and what that might mean if you were interpreting. You don't have to believe it; maybe you could draw a metaphor from it.
'Immortalized' is hopefully what music does for everyone in terms of emotions, in terms of experiences, in terms of being people who create it.
As long as a man had the courage to reject what society told him to do, he could live life on his own terms. To what end? To be free. But free to what end? To read books, to write books, to think.
I read all the books I could find about manners, and the extraordinary thing was, in all books up to the end of the Second World War, most were directed at how to comport yourself in the presence of the ladies.
I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet.
I think sometimes could I only have music on my own terms, could I live in a great city, and know where I could go whenever I wished the ablution and inundation of musical waves, that were a bath and a medicine.
Symbols and emblems were everywhere. Buildings and pictures were designed to be read like books. Everything stood for something else; if you had the right dictionary, you could read Nature itself. It was hardly surprising to find philosophers using the symbolism of their time to interpret knowledge that came from a mysterious source.
Summers was simply a master explainer, able to deftly boil down the complexities of economic and financial, and to put them in terms the non-expert could understand. He was brilliant at cultivating a sense of control, even as events spun far beyond what could be managed with any certainty. He could will into being the confidence that eluded others, those less self-assured and, maybe sensibly, on humbler terms with the world.
Redefine the sport in terms of your expertise, in terms of your talent, in terms of your strength, in terms of your flair. Make it interesting. Make it something that people want to watch.
That American Taliban kid Johnny Walker was indicted today. Ten counts of terrorism. He could get 5 life sentences. In Taliban terms, that's 360 virgins.
Every time I put a collection together I'd scrap it because there was no "meaning," until I wrote about the two black men - friends - in the beginning of the book. So much of their experience was ABOUT trying to find friends in the authors/artists I wrote about - subjects that were/are a source of comfort, somehow, since none of them "fit," either
You have two pages, that's the whole credit card agreement. The terms are clear and flat and easy to see so anyone can read them. So you could lay four credit cards in front of you and say, 'Oh, that's the one that has the highest rate, that's the one that has the really scary provision that could hurt me.'
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