A Quote by Dee Rees

You don't get to hand footnotes to the audience or explain what you were trying to do and what it's supposed to be. Everything has to be on the screen, and it has to be clear.
Once your film is done, you can't explain to people what something was supposed to be. You can't give them footnotes. It all has to be there.
So, that notion of hypertext seemed to me immediately obvious because footnotes were already the ideas wriggling, struggling to get free, like a cat trying to get out of your arms.
If I may bend your ear for a moment, I like Terry Pratchett. I like footnotes. I like footnotes even when they are not as entertaining as a Pratchett footnote, even when they are in the middle of a book on evolutionary biology and briefly explain the Red Queen hypothesis or the fate of the Stephen's Island Wren or how many bunnies can dance on the back of Australia. Footnotes fill me with a very mild glee. The endnote simply does not compare.
Any type of humor can be transferred to the screen, as long as there's clarity. The audience wants to know just what they're supposed to be feeling, when they're supposed to laugh.
I'm speaking to someone I'm trying to get to fall in love with me. I'm trying to speak intimately to one person. That should be clear. I'm not speaking to an audience. I'm not writing for the podium. I'm just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I'm trying to interrupt some silence in their life, which is utterance.
While asleep, I had an unusual experience. There was a red screen formed by flowing blood, as it were. I was observing it. Suddenly a hand began to write on the screen. I became all attention. That hand wrote a number of elliptic integrals. They stuck to my mind. As soon as I woke up, I committed them to writing.
When the Beatles came in, I really concentrated on making a lot of movies. Those beach films that we did were a lot fun. They hit with an audience that related to what we were trying to do on the screen. That kept me going all through that Beatle period.
My first published writings were trying to take scientific concepts and make them clear for a general audience.
Small screen or big screen my job on set doesn't really change. The only difference with TV is I get to be surprised with new information just like the audience every time I get a script.
You're supposed to have one hand up and one hand down. As you're trying to going up, you're trying to pull someone up at the same time.
Don’t bother trying to explain your emotions. Live everything as intensely as you can and keep whatever you felt as a gift from God. The best way to destroy the bridge between the visible and invisible is by trying to explain your emotions.
I'm just trying to find some secret places in the human brain because I think movies tend to be too rational sometimes. Everything is supposed to make sense. Everything is supposed to be logical.
We all just kinda did everything we thought we were supposed to do and girls dated the guys they were supposed to and did things with the guys they were supposed to.
As soon as you come into the England team, the ICC get hold of you; you're put through this video, which is very watchable, very clear - it takes you back to when you were five or six, that's how clear it is. It outlines everything you're not allowed to do, everything you are allowed to do.
Our band is rock n' roll. We were never just a studio band trying to make everything perfect. It was never supposed to be perfect. It was supposed to be cool.
You're a white South African, and right away you have to explain yourself. Occasionally, I get hassled until I explain my point of view. I have to make it clear that I don't live there anymore, and I don't approve of the brutal racial policies.
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