A Quote by Deepika Padukone

The best feeling is when you are remembered for the character you play on the screen and people associate you with that character. There is no better feeling than that feeling.
There is no better feeling than the feeling that I have done something right. That feeling comes so rarely and is so fleeting that I can never really enjoy it. So in a way, it's not a good feeling at all.
I think, when people so strongly associate an actor with a character they play - but the main feeling is I feel very happy that I've been able to play somebody that people connect so strongly to. That's overall a very good feeling. There's the sweet and the sour, I guess. It does sting a little bit. Your insecurity as an actor maybe seeps in, but ultimately I think it's a very lovely thing. It doesn't happen that often. It's mostly good, I'm fine with it.
I am extremely excited to play the character of Akbar once again on BIG Magic's 'Naya Akbar Birbal.' There is no better feeling than knowing that your character is so loved by the audience.
It's a lot of feelings, I think, when people so strongly associate an actor with a character they play - but the main feeling is I feel very happy that I've been able to play somebody that people connect so strongly to.
It's fun to play a dark character, but you go home at the end of the day not feeling very good about yourself. You go away feeling dirty. It seeps into the air.
Feeling good and feeling bad are not necessarily opposites. Both at least involve feelings. Any feeling is a reminder of life. The worst 'feeling' evidently is non-feeling.
The first thing I do with any script is read it and try to visualize if I can play the character - if I can feel what the character's feeling.
I'm always looking for ways to connect myself with American people and that American feeling. I'm trying to pick up on the feeling of places, like the Los Angeles feeling or the New York feeling... Los Angeles is much better for me that way.
With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.
Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame totally different from the next. So your edges are coolly sharp and have a different feeling, an organic feeling rather than this mechanic feeling you get with digital.
I just don't live my life in a world where I am not feeling my best, and feeling my best is feeling sexy.
Feeling animalistic. Feeling Hyena. Feeling Wolf. Feeling Dog. I am tongue and heart.
Feeling different, feeling alienated, feeling persecuted, feeling that the only way to deal with the world is to laugh - because if you don't laugh you're going to cry and never stop crying - that's probably what's responsible for the Jews having developed such a great sense of humor. The people who had the greatest reason to weep, learned more than anyone else how to laugh.
You can over complicate everything with techniques; when you're in the moment, you have to feel that you are that character, that you're feeling the pain or the happiness or whatever it is that they're feeling in that moment. Usually the authenticity will manifest itself.
There's nothing better than that feeling of new chemistry when you're so into someone, and you could care less about what anyone else thinks... and there's butterflies! It's a real feeling that people experience.
Feeling too much is a hell of a lot better than feeling nothing.
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