A Quote by Delphine Arnault

The worlds of art and fashion have always been very intertwined at Dior. Francois-Xavier Lalanne and his wife, Claude, for instance, did windows for Monsieur Dior. Dior himself was a gallerist before becoming the revolutionary fashion designer we all know.
I was never really interested in fashion before I started to work with Dior. I didn't see fashion as an art form.
Dior Couture is like art - they are the art pieces of a fashion house. Each piece is unique and made by hand.
I tried to show that fashion is an art. For that, I followed the counsel of my master Christian Dior and the imperishable lesson of Mademoiselle Chanel. I created for my era and I tried to foresee what tomorrow would be.
I see my position in that whole Dior construction very differently from my own brand. My own brand will stand or fall because of me. Dior won't fall if I fall. It will also still stand if I'm not there. I'm coming in there and it's like a - I don't know the English word - like a passage.
I had the luck at 18 to become assistant to Christian Dior, and to succeed him at 21 and to meet with success from my first collection in 1958. That will be 44 years in a few days. Above all it was Christian Dior who was my master and who was the first to reveal the secrets and mysteries of haute couture.
I very much wanted to live in Paris when I was in the army, and I was quite determined to. I could have become a dress designer: Dior was willing to take me on as an assistant, but he did not have an immediate vacancy.
Dior makes me look good, and I make Dior look good.
I worked a lot with Nick Knight and John Galliano when John was at Dior. He also made my wedding dress. He'll always hold a special place; I have most of my memorable, iconic moments in fashion with him.
He thinks he is a flower to be looked at And when he pulls his frilly nylon pants right up tight He feels a dedicated follower of fashion. When a waiter at Buckingham Palace spilled soup on her dress: Never darken my Dior again!
I search for items that have history, like vintage finds - I love fur kitten-heel house slippers from the 1950s - and pieces from fashion houses that have been around for a long time, like Chanel and Dior.
You can see that ladylike kind of dressing with a twist coming back at Dior, and I think that a lot of the fashion is following in those kinds of footsteps. It's wearable. It sits in your wardrobe forever.
We all know and we all perceive Christian Dior in a very specific way.
My first girlfriend, when I was about 18, was a fashion designer, and my sister was a fashion designer as well. I've always been into shopping, and I've always been very aesthetic, in a sense.
Becoming a fashion designer is agreeing with the fact that what you experience or what you see as free is also connected to a system. Does that mean giving up your freedom? I still don't know the answer. There's a very different kind of psychology going on in the fashion scene than in art.
I did that Dior Couture 60th anniversary show in July. It took so long to get ready, I think I would have rather been watching.
I’m elated. I guess it’s better late than never. Welcome to the 21st century. It’s fantastic. I love Dior, and Rihanna is very much one of my style icons. I’m happy they got there in the end. I adore her style. She loves fashion, she’s unafraid. She uses her imagination, which is something we should all strive to do.
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