A Quote by Denis Leary

There's not going to be a 'Rescue Me' movie. Not a chance. — © Denis Leary
There's not going to be a 'Rescue Me' movie. Not a chance.
Coming to my rescue?' 'Of course. It's what we do. I rescue you; you rescue me. We just take turns whenever the other needs it.
The stuff I did in 'Rescue Me' was great. It gave me the opportunity to play comedy, and Denis Leary was the first one to take a chance with me. And from that experience, we had a comedy pilot that we did that I was going to play the lead in. And then 'Person of Interest' came along. They're all new experiences.
I was heartbroken at the end of that, because I thought that was going to be it for me. Somehow I had worked my way into this movie and it had exposed me to people and I had a chance to be an actor, which I loved, but I didn't think it was ever going to happen again.
The last season of 'Rescue Me' is going to be very sort of half and half: it's how you think 'Rescue Me' would end versus something very outside the box. And, they do it in this sort of perfect way - it's only nine episodes, you know. Very stream-lined.
in freeing myself from the romantic dream of finding another man to come along and rescue me, I learned that no one can rescue me except myself.
I just haven't really had a chance to allow to sink in. I'm sure there is going to come a time when reality is going to hit me and I'm going to know that it's going to be a while before I help my teammates, and that's going to be hard for me.
I think for Wes [Anderson] and me, the most important thing was James L. Brooks producing our first movie and giving us a chance to come to Hollywood, because without him, we might never have gotten the chance.
I hit rock bottom before I even went there. Actually, prison was the rescue mission that God had put on me. He sent out his angels to rescue me. In prison, he protected me the whole time I was in there, and it was just for me to get my will power back, to get my strength back, get my focus together.
Obviously, if you get a chance to be in Alexander Payne's movie, you're going to go for it, or you'd be a crazy person.
I feel like somebody just punched me in the stomach and knocked all my wind out. I'm only 30 years old and I want to have a chance to continue creating things. I know I've got at least one more great computer in me. And Apple is not going to give me a chance to do that.
People say to me, 'You seem to have made this conscious decision to do independent films'. In reality, I haven't. After each movie, I always think, 'how different can I possibly be? Is this going to challenge me, is this going to inspire me, and is this going to make me love my job more than I already do?'
If the film isn't suspenseful, i.e. the pressure cooker situation of what's going on in the movie, if that's not part of it, if the threat of violence and the temperature isn't always going up a notch every scene or so, then the movie is going to be boring. It's not going to work.
When you have a major movie star, and then they're surrounded by local extras, it takes me out or makes me more conscious of what's going on, as opposed to losing myself in the movie.
You really do learn by example... Especially women, sometimes we think somebody's going to rescue us, or somebody's going to teach us how to do it, when in fact we have to understand that the biggest resource we have is inside of ourselves. I know that I can count on me to take care of me. That's a very important thing to know.
Every movie you're going to forget that it's 3D whether it's widescreen or whatever it is, you're going to forget everything if the movie is working. If the movie doesn't work or if the movie generically doesn't work then immediately you start to pick apart whatever has contributed to that.
If we end up creating a gameplay structure where it makes sense for, whether it's a female to go rescue a male or a gay man to rescue a lesbian woman or a lesbian woman to rescue a gay man, we might take that approach.
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