A Quote by Denis Villeneuve

It's not about choosing a specific genre; that's not how I go about deciding what movies to make. — © Denis Villeneuve
It's not about choosing a specific genre; that's not how I go about deciding what movies to make.
I never thought about that ever throughout the entire course of my career about choosing a specific role because it would make me seem more man-like.
I do think that once a horror genre is commonly parodied in other movies it sort kills that genre or that specific take on that genre. Once it sort of becomes a joke in and of itself, so you have to push and find something new.
Today, we are now deciding how do we treat those who are choosing to carry out a war against us, non-U.S. citizens who are choosing to take us to task for what we believe and who we are. In this conflict, we have to decide how we are going to try to find these terrorists.
All of my movies are about how I wish the world would work. I've made very few movies about how the world worked. I could name them on one and a half hands, about how my movies have been very reflective of how the world was exactly. A lot of my movies are really about the way I wish the world was, and that's what this whole art form is all about. It's an interpretive art form.
Good genre movies are a little bit like trying to write a haiku. There are certain things that you have to do to fulfill the audience's expectations, but inside that, you have complete freedom to talk about whatever you want. Who wants to see a movie about gun violence in America and class? But, if you set it in this terrifying, fun, roller coaster ride of a movie, you can talk about whatever you want. That's been the game that genre movies play, when they do it well.
The funny thing about me is I move from genre to genre, but I essentially shoot all the movies the same way.
I think I've learned a lot about how to make movies, and particularly about how to edit movies by thinking about how similar problems are resolved in other forms. The issues in all forms are the same in an abstract sense, aren't they? Characterization, abstraction, metaphor, passage of time... Whether it's a movie, a novel, a play, or a poem, those issues exist. And each person resolves them differently.
I love the new Marvel films, but I am not crazy about them. It is no longer a sub-genre or a fanboy genre. It has become so mainstream. You cannot say, 'I love superhero movies.' Everyone loves superhero movies now.
I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.
I think our particular sound has come by just not adhering to any specific sound. For us, it's about the song, and being able to fit in to what is appropriate. When we sit down, we're not talking about what type of band we're gonna be within a specific genre - there's a uniqueness to all of us individually that throws putting anything in a box out the window.
I like movies that are specific. Movies that home in on a very specific subculture, a specific discipline, a specific world.
My norm for watching scary movies, what I love about it, is when they work and they scare me, which is not that often I'm afraid. The more you know the genre, your taste becomes a little more rarefied and you take a very particular route to the type of movies you like in the genre. But I still get scared.
I really think more about being honest and truthful about feelings and how people behave for the movies that I direct, but I also love movies like Zohan and Anchorman, just balls to the wall, how much can you make people laugh in one 90 minute period.
There is no real kind of specific genre of cost of movies.
I have a complex feeling about genre. I love it, but I hate it at the same time. I have the urge to make audiences thrill with the excitement of a genre, but I also try to betray and destroy the expectations placed on that genre.
We're very specific when we're drawing work plans. We think about the chances of when a person gets off the elevator where they will go. We think about how people get to a coffee machine, when they go and get their lunch, when they go to the bathroom.
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