A Quote by Denise Duhamel

I love going to movie theaters, even in the era of movies on-demand and Netflix. When you are in a movie theater, no one can reach you by phone or other means. — © Denise Duhamel
I love going to movie theaters, even in the era of movies on-demand and Netflix. When you are in a movie theater, no one can reach you by phone or other means.
I've always spent a lot of time in movie theaters, kind of absorbing anything I can. I just love sitting in the dark, and watching the flickering image up there. Just sitting in a movie theater alone is inspiring to me. It takes a pretty bad movie to drain the magic out of that - but Lord knows, those movies exist.
Nowadays the movies that people are going to see in the theaters are the big-event movies, like Spider-Man or something, or they're 25-year-old models who are vampires, or they're very broad comedies, or they're standard action movies. So if you're going to work for a studio and do a movie for the budget that the movie needs, those are the kinds of movies you'll be in.
I never want movie theaters go away. It is the greatest time out on the town. You go out, it's a great place to go, great location, great hang, great date, good place to be with friends. But as an actor who works hard at making movies, I am glad that no matter what people can see your movie on. It's hard to keep a theater for long time; there are so many movies, so when you leave a theater, you're just glad there's a life for your movie.
I can go to a movie theater and sit there all day. I love movies. They intrigue my brain and they relax me. I am a movie buff.
I don't like going to movie theaters or festivals. I even get freaked out at other people's shows.
I love movie sets. It's another home for me. Movie theaters and movie sets - they're just the best places to be. I love them.
Restoration is to some extent part of the digital age. These days, if you re-issue a movie in theaters or on Blu-ray, it has to be in high-quality condition: You have to restore. We plan a Paris cinema theater dedicated totally to classics. If we think there's an audience, we will release classics in theaters. People will discover that it's worth going to the cinema to see great movies of the past in perfect condition. I believe a lot in that.
I'm still a big believer in movie theaters, and going to see movies in public.
I'm either at the movie theater, or I'm at home cooking - well, not really cooking because I don't cook, I usually have friends over who can cook, and they do the cooking. I'm sort of a homebody, even though I love going out to dinner and I love going to the movies. Those are my favorite things to do on a night off.
I want my movies to play in movie theaters. While festivals can fulfill a part of that, there's nothing like getting a week-long run for your movie. It's becoming increasingly difficult to get that.
The Olympic gold was like going to a theater and seeing a movie that had the ending you expected. But you left the theater thinking, 'You know, that was a good movie.'
Even though it took forever to release a movie, and even though it's a small indie release, the fact that in five years someone will be skipping through Netflix, or Amazon, or whatever and say, "Wow, that was a really cool movie. That was a really great story. Or I was really creeped out, or intrigued by that." You almost kind of forget what it took to get there, or was it in the theaters or not. So that's kind of exciting as a filmmaker. That it doesn't really matter as much the release platform, as much as how can I see it?
I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.
I was obsessed with movies when I was younger. During the summer, I would go by myself to a theater down the street from my house. I saw every comedy or science fiction movie that came out. My kids love going to the movies, but 3D scares them.
Because movies have gotten so expensive, and they're so expensive to market, that means that for a movie to break even or to make its money back, everybody has to go see the movie, and if everybody has to go see the movie, then it can't be about anything.
All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.
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