A Quote by Denzel Whitaker

The number one reason for the death of young actors' careers is people get so used to seeing them playing that one character that they can't accept them as anyone else. — © Denzel Whitaker
The number one reason for the death of young actors' careers is people get so used to seeing them playing that one character that they can't accept them as anyone else.
All the actors I respect, especially old-Hollywood actors, the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.
I would never advise anyone to stay in the closet to further their careers - I'm sure it leads to big fat gay ulcers. There are actors I know who won't come out, and I can see it crippling them as human beings. It's a great shame that people can't be who they are in the 21st century, and people won't let them be who they are.
There is no reason for you to try to become like white people and there is no basis whatever for their impertinent assumption that *they* must accept *you*. The really terrible thing, old buddy, is that you must accept them. And I mean that very seriously. You must accept them and accept them with love.
A lot of the young people make beautiful films or big films or are able to finance them, but they can't get anyone to distribute them, they can't get anyone to see them, so they go to these thousands of film festivals. So I still believe that even though a young kid might be able to make a masterpiece or something that changes the direction of cinema, the issue of how to get it to people is still not solved.
Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I'm one of them.
One of the greatest pleasures of working on shows is that I enjoy watching the actors - who are all younger than me now - and their careers. I love seeing how they're doing and seeing them getting good gigs and doing well.
You're always going to have ups and downs - if you look at the careers of a whole bunch of people I respect, some of them have good movies, some of them have bad movies. I remember Andrew Garfield said that the only power we really have as actors - or one of the main powers we have as actors - is our choices. We can make interesting choices, but as soon as you've made that choice, so much else is in play: the director, the script can change, the other actors. All you can do is try to make interesting choices and, once you're in it, just do the best you can.
Actors, I think, are all the same. Both Korean actors and American actors are all very sensitive people, and they are all curious to know what the director thinks of them and how they are evaluated, and they try to satisfy the director. And they like it if you listen carefully to their opinions and accept them.
Whatever the reason, we are not doing a good enough job getting to women early enough in their careers, supporting them, and enabling them to pursue careers in directing.
I think people are used to seeing actors be wide open and desperately giving of themselves, and while I do that on a movie set as much as I can, it's so unnatural for me to do it on television, in interviews, in anything like that. I also don't find that my process as an actor is really anyone else's business.
Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.
I don’t think that actors are necessarily any more uncomfortable in their skin than anyone else. I suppose I feel more comfortable in my skin now, but you’re always playing a character, aren’t you? You tell different versions of yourself to different people and vice versa. Here, or in the photo shoot or wherever, it’s a representation of you. It’s not you-you. That’s how you get through it.
We all like each other. I know people ask us that, and I hate to disappoint them, but we get along great and we enjoy playing with one another, and what can I say? I'm as surprised as anyone else.
Had I not gone through the ordeal, in more than one country, of landing a job, I would he tempted to lose patience over the number of letters pouring in from fellows who want me or someone else to hand them a job on a silver platter with a guarantee that they will receive the wonderful promotion their talents warrant.... But a tragic number of young men and even older men have a notion that it is not up to them to prosecute the bettering process. They look to someone else to perform the trick for them.
I’m quite flirtatious with anyone. Some people, because I’m playing a gay character, get quite nervous. And I have to reassure them. I’m like, ‘I’m not gay. I’m not coming on to you. Yet.’
I feel it is now my duty to speak to young women, to encourage them to have careers and, particularly, careers in science.
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