A Quote by Derek Cianfrance
I feel like the job in editing is to let the movie tell you what it is. It's like sculpture. You just start taking away, you add a nose here, you cut off like the side of the cheek over here in the crease and you have a face. But it really reveals to you what it means to be over time, and if you have enough time.
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I feel like the job in editing is to let the movie tell you what it is. So again, it's like sculpture. You just start taking away, you add a nose here, you cut off, like, the side of the cheek over here in the crease, and you have a face. But it really reveals to you what it means to be over time, and if you have enough time.
I've had to cut my mom out of a movie before - it's ruthless, editing. But it's also so necessary; because once you start taking away, it's like sculpture, you can really start feeling the shape of the whole.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
I love the fact that, one time, my face was on the back of a cereal box - probably 3-CPO's - and it was a mask where you cut out the eye holes and put a string through the side. It makes me feel like I'm 11 years old all over again.
I don't know if that's the best story for BoJack, long-term. I do love the world, and I love playing around in it and it feels like an elastic enough world that, any story I want to tell, I can tell about these characters in this world. I can talk about parents and children, husbands and wives, the troops, or Hollywood. It does feel like an endless playground at this point, it would be a shame if we cut it off early for fear of repeating the same things over and over again. But I am looking to move the story and character somewhat.
I spend a lot of my time thinking about how to spend my time. Probably too much - I probably obsess over it. My friends think I do. But I feel like I kind of have to, because these days, it feels like little bits of my time kind of slip away from me, and when that happens, it feels like parts of my life are slipping away.
I'm not going to throw up or over-exercise myself into oblivion to look like a model. People tell me, 'You'd work all the time if you just lost twenty pounds.' What am I going to do, cut off my head?!
There's not a second of my time on tour where I'm not engaged with something. It is the hardest job - a great job, and I love it - but truly the hardest job I've ever had. There's no time away, there's no time off, and it's so exhausting. I drive myself around in a van, and I don't have the money or infrastructure to do it differently, and I'm involved at every level. I feel like I'm just collecting info, and can't wait to get home to try and process these.
We are trading away a little bit of our country all the time for this access consumption that we have over what we've produced. That is not good. I think it's terrible over time. But our country's productive grows enough so we actually can do that, and we'll still be better off. We just don't be as well off as if we hadn't done it.
Sometimes I feel like there isn't enough Prozac in the world to make Environmental Protection Agency people feel better about their jobs. They're going out there, they're trying to protect Americans and then time and time and time again they get their knees cut off at the policy level.
I can't sing, but I'll sing over this chord progression, like, over and over, for however long it takes - sometimes it's, like, two minutes, sometimes it's 20 minutes - until I've found like a hook or something that I'm really happy with. And then, basically, it just like that's my melody, and that's where I start from.
I feel like the older I get, the more I start to think about life in general. All the clichés that people tell you, the ones that you hear over and over and over again, there's a reason they're cliché, there's a reason you hear them over and over again, because it's all true. As much as you don't wanna hear it, it's true. You'll find out later on, like "Man, they're all right."
I use Cetaphil face wash. It's really simple. Nothing super fancy. I just feel like it needs to clean your face and not add or take away from anything.
I feel like I'm just pretty - any time I have, like, a lot of emotions happening at one time, I just - everything gets really, like, muddy. Like, I feel just, like, in a haze or something.
In editing, you really face what the movie is. When you shoot it, you have this illusion that you're making the masterpieces that you're inspired by. But when you finally edit the movie, the movie is just a movie, so there is always a hint of disappointment, particularly when you see your first cut.
When you have to face up to the fact that marriage to the man you love is really over, that's very tough, sheer agony. In that kind of harrowing situation, I always go away and cut myself off from the world. Also, I sober up immediately when there is genuine bad news in my life; I never face it with alcohol in my brain. I just rented a house in Palm Springs and sat there and just suffered for a couple of weeks. I suffered there until I was strong enough to face it.
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