A Quote by Derek Cianfrance
Yeah as the director I consider myself to be the coach, and my actors are my players. So I have to show them how committed I am, but I also want to lead by example. I think whenever you make a film, you start out alone, and then slowly start - you have to be a magnet. You have to attract people to you, to the project.
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I think that what's important as a director is to give your actors the feeling that they're protected, the feeling of confidence, the feeling that if they make mistakes, then as a director, you'll know how to help them. If you're able to convey that, then the actors will give you wonderful performances. As well as the author, you have to write scenes that give the actors the opportunity to show what they're capable of.
There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.
When you start making a movie, people want to know: Who's the star power? And very early, I realized there's not a lot of 26-year-old black actors who have been given the opportunity to be the lead of a film. It's, like, Michael B. Jordan, and then we're done.
I want to do some coaching, maybe a couple of days a week, and start building up slowly - find out my philosophy, how I like to play and things like that. I want to be a coach now and eventually I want to be a manager.
If we can sell out a venue that's just as big as this in Omaha, if we can sell out DePaul in Chicago tomorrow, which looks like it's going to happen for 1100 or 1200 people, then obviously everyone will know that we can affect between 700 to 1000 people at a time in damn near every city in America, then I think that's a good start. It also tells people, and gives them an example, how independent hip-hop is able to do this without gigantic corporate support.
Whenever I write about my family, I start by getting my parent`s approval. I like to think I write about them with obvious affection. When it comes to the people I'm related to, I consider myself to be very lucky.
You're younger, you might want to go to clubs and kick it, but as you get older, you start seeing that life has more meaning to it. The people that you love are the people you want to start trusting and start wanting them to trust you and start respecting them.
My film school is making movies. But, I do think that being an actor has served me immensely, as both a writer and director, in terms of knowing what is playable and what will be fun to play, for actors, and also how to communicate to actors on set, and not screw them up and get them in their head.
When I put my first project out ages ago, I didn't want to show anyone my emotions. Now I think it's better for people to understand how I am as a person and let them relate.
There's a time and place for everything. You're younger, you might want to go to clubs and kick it, but as you get older, you start seeing that life has more meaning to it. The people that you love are the people you want to start trusting and start wanting them to trust you and start respecting them.
Australians love to pump you up when you're nobody. Then, when you start to put your head above water and say, 'Well, actually, I am a bit different, I am an individual and I do have a particular talent', or whatever, they want to go after you. But the good news is that once you reach a certain level, I think they start to leave you alone.
The simplest way for me to look at the law of attraction is if I think of myself as a magnet, and I know that a magnet will attract to it.
I tell myself that if I start to listen to these people and start to let them decide how I should behave and what I should do, then this is not my life - it's theirs.
You see the assets of your actors and you see their strengths and you try to play into them. It's like I feel part of my job is as a coach. I'm putting a team on the field and you want to formulate how to make the best game out of these players.
Actors, I think, are all the same. Both Korean actors and American actors are all very sensitive people, and they are all curious to know what the director thinks of them and how they are evaluated, and they try to satisfy the director. And they like it if you listen carefully to their opinions and accept them.
I am constantly thinking ahead to what I want to write about in the future, and when I'm done with one project, I give myself a little time and then start the next one.
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