A Quote by Derek Cianfrance
I shot 'Blue Valentine' on 16mm for the past, and for the present on the Red Camera. I feel that both formats are valid. The stories should dictate the format we shoot on. Filmmakers should have a choice.
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At the Olympics, you there to do a job. I feel you should take it seriously. You should be respectful. You are putting on the red-white-and-blue and going out there to perform for your country.
I've seen so many young filmmakers - even professional filmmakers who get a Hollywood deal - they don't quite know where to begin, where to end, and they'll waste a lot of time making this perfect shot, an establishing shot, and then there's no time left to shoot the dialogue.
Yes no yes no yes no? Red blue? Yes red, no blue? No red, yes no? In out, up down? Do don't, can can't? Choices sit on the shelf life New shoes in a shoe shop. If the in crowd are squeezing into a must-have shoe And the one pair left are too tiny for you Don't feel compelled into choosing them If you're really a size 9, buy that size. While everyone else Hobbles round with sore feet Your choices should feel comfortable Or they aren't your choices at all. Why limp when you can sprint
We should keep in mind that it is easy to concoct stories explaining the past or to become confident about dubious scenarios of the future. We should view both explanations and prophecies with skepticism.
Marriage should not be a goal; it should be a choice. One choice available out of many recognized as valid by society. But it isn't. Not yet. Right now, as far as society is concerned, you are married or you are not yet married. And as that notion becomes further codified our freedom to make other choices steadily erodes.
When you wake up and see the whole creation is my valentine, the country is my valentine, the Divinity is my valentine, knowledge is my valentine then Valentine’s Day will never end for you. All 365 days is Valentine’s Day. That is how I feel - everyday is Valentine’s Day
We are somewhat amused by the hysteria manifest in the press at the suggestion by Gordon Liddy that if one is menaced by bad guys (particularly the ninja) one is wise to shoot for the head. That statement has got a whole bunch of journalists and commentators bleeding from the nose. One wonders why it should. Where else should you shoot a man if he is probably wearing an armored vest? If you decide to shoot you have made the big decision. Where you place your shot is merely a technical matter.
Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
Blue does not go with everything," Will told her. "It does not go with red, for instance." "I have a red and blue striped waistcoat," Henry interjected, reaching for the peas. "And if that isn't proof that those two colors should never be seen together under Heaven, I don't know what is.
Science fiction is never about the future, in the same way history is rarely about the past: they're both parable formats for examining or commenting on the present.
One should learn from the past, but one should not live in the past. My concern is to look to the future, learn from the past, and deal with the present.
Yellow can express happiness, and then again, pain. There is flame red, blood red, and rose red; there is silver blue, sky blue, and thunder blue; every color harbors its own soul, delighting or disgusting or stimulating me.
Russell's books should be bound in two colours, those dealing with mathematical logic in red - and all students of philosophy should read them; those dealing with ethics and politics in blue - and no one should be allowed to read them.
I think some people feel that if you are going to have 3D, then you have to shoot in 3D, but they shoot 3D, so of course they're going to say 'my way of doing a film is better.' I'm not telling anyone how they should do their film, so why should anyone tell me how I should do mine?
If you're dumb enough to volunteer for the army, I don't see why we're supposed to feel so bad when you get shot. I'm not saying we should throw a party or anything, but is it such a tragedy? If I'd gotten shot before I made 'Garden State', yeah, that's a tragedy, but some red-state hick getting his legs blown off? Come on.
A sitcom, you rehearse for four days of the week and then you shoot it all in one night in front of a studio audience. It's like a play every week, you just shoot it over a seven or eight-day period with a single camera. I enjoy this format of show much more. I'm a feature guy. I like making movies. So the four camera thing I didn't love it that much. I found myself slightly out of my element.
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