A Quote by Derek Trucks

It's been a slow steady climb since my solo band got together almost 20 years ago. Me and my manager Blake were just talking about this, how every show has a few more people at it, every record has done a little better.
Playing live is about going for it .. it's about bringing it ... you should see a bunch of people trying out stuff, actually performing, instead of learning the record and recreating it note for note. I can't play the show the same way every night .. I really need to be in a creative environment, every night or I'll go nuts ... my manager accuses me of singing just long enough to get me to my next guitar solo - which is true.
I've been an acquaintance of the president Ryan Glover for some years and for a couple years we've been talking about possibilities, puzzle pieces fitting together. I was doing an event that they were sponsoring, and after a group of us went to dinner and we started talking a little bit more and one thing led to another.We all thought it might be a good idea to try to develop a show and as we started talking about the show that we might bring to air, it turned into doing a newsmagazine.
One thing that took a while to really adjust to was, you do it for the the art, for the money, for being together and having a good time, but you do it for all those people out there who really care about the show. We are now talking about a show we did over 20 years ago.
I think it's stripped down as far as electronics go, but we just wanted to write a record that we felt better represented how we sound live with more of a rock feel, which is the direction we've been heading. It's just an evolution of the band throughout the years. We worked on this record longer than any other record, so I don't know if "stripped down" is how I would put it; I think it is a little bit more raw sounding.
I feel more mature as a player and I have the opportunity to show why they were all talking about me a potentially good player a few years ago.
I've kept the people who've been in my career who I feel are my family. Kathy [Kennedy] had been with me since 1978. Janusz Kaminsky, my cinematographer, has made every movie with me since Schindler's List. Michael Kahn has cut every movie I've directed since 1976 when we made Close Encounters together. Rick Carter has done more than 15 of my directed films as a production designer.
In 1989 I sort of got back into the music business and one of the reasons I got back in is [that] I put the first All Stars band together. It's actually progressed from that every other year, or every two years, I've put that together...more and more realizing that's what I do.
'Circuital' was just so much about us as a band. We captured every song live, including the main vocal. That is probably my favorite My Morning Jacket record because it's really the essence of us being us. The solo record is just a completely different essence of just me trying to figure out stuff.
When I got to the Senate, I started working with Republicans. I think I practically worked with every single one of them, and a lot of them were on record talking about what a good colleague I am and how I like to get things done.
My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.
I get better at playing the guitar and piano, every time we do a record because we practice more and the years go by and it's just what happens. It is just growing up, and it's cool how over the years the fans grow up and we grow up, and it just kind of works together.
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
Every now and then it feels like it's just been a few days ago, a few weeks ago since we got started; but looking back through photographs and listening to the older albums and stuff, you can definitely feel some maturing and some distance in between the club days and where we are now
Years ago, while being in an airport in Australia, I happened to meet with David Helfgott. I knew that he was a bit fond of me and I was personally a fan of him. We were so happy to meet and hug and we had a very warm conversation together. Since that time.... about 20 years ago, I have not meet him again. I think that he is a very good pianist !
I tend to prefer the band thing. I think playing solo is good for about 45 minutes. I remember when I was on my solo tour that I got a chance to play with Martin Stephenson of the Daintees. He's now refashioned himself as almost a delta blues guitar player and he's got all the technique, all the persona and the charisma on stage. I think I do too, but I'm more of a first position strummer guy with a little bit of filigree work. I could listen to him for hours; I could listen to myself playing solo for about half an hour!
I'm always happy to talk to somebody; it's flattering that people remember your movies. Especially some movie that you did, for Christ's sake, almost 35 years ago, or what's especially pleasant is if you're talking about some movie that you did 35 years ago and they're 20 years old.
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