A Quote by Dhani Jones

Football is one side of me. Art is another. Travel is another. — © Dhani Jones
Football is one side of me. Art is another. Travel is another.
Football is one side of me. Art is another. Travel is another. As I mature, I can organize it so that when I'm done with football, whether it be travel, or becoming a doctor, or going off on a farm and raising chickens, which I'd also like to do, or climbing ten of the most difficult peaks in the world, or spending time backpacking in a flannel shirt and big boots, I'll know how to take off into the world.
We're on Twitter with one side of our personality, and Facebook with another, and LinkedIn with another side of our personality, and we're toggling between them. That's just a version of what an impostor does: shifting from one side of their personality to another with lightning speed.
The chances are you've never seen the other side of me. You've seen the event side of me when I'm on stage. But there is another side of me. If you evoke that side, you won't like it. It's a nasty side. You don't want to see that side. You're not missing anything by not seeing it.
The real question is what to live for. And I can't answer it. Except another one of your records. And another chance for me to write. Art for art's sake, corny as that sounds.
The New Testament is peppered with "one another" reminders. While Scripture says to love another, encourage one another, offer hospitality to one another, be kind to one another, many people are content tolerating one another, if not ignoring one another.
Travel by canoe is not a necessity, and will nevermore be the most efficient way to get from one region to another, or even from one lake to another anywhere. A canoe trip has become simply a rite of oneness with certain terrain, a diversion off the field, an art performed not because it is a necessity but because there is value in the art itself.
I needed to explore my talent and versatility and see if I had another side to me, another sound.
So many guys come onto the scene who aren't supposed to be there. You pull for one, and then you see there's another and another and another, and you start to say, 'Who cares where a player was drafted? He can play football, and he can play at this level.'
As actors, the magic is in the almost spiritual experience to really enter another world, to really enter a belief of being in another person's shoes and to really take on their experiences as someone else has written them and imagined them. It's kind of a sacred thing. It's a very spiritual experience. That in itself for me is the main thing that keeps me coming back to it. I like to travel, but for me, this is the greatest travel.
If I were to do a solo movie, I'd like to try another genre so that people can see another side of me, since I've been doing mostly rom-coms and drama.
I've never seen a constructive Social Security debate that started with one side digging in, in one place and another side digging into another.
So many doors forever. There were never enough. Each door had several locks. One lock was combination. Another required keys. Another was a simple side latch. Another was strictly ornamental. Another you could open by whispering the right thing to it at the right time, which is the type of lock most humans have.
Every form of art is another way of seeing the world. Another perspective, another window. And science - that's the most spectacular window of all. You can see the entire universe from there.
It's true that immigrant novels have to do with people going from one country to another, but there isn't a single novel that doesn't travel from one place to another, emotionally or locally.
The kundalini is the energy that opens up the bands of perception. It is also the power that allows us to travel mentally from one dimension to another, from one experience to another.
Travel magazines are just one cupcake after another. They're not about travel. The travel magazine is, in fact, about the opposite of travel. It's about having a nice time on a honeymoon, or whatever.
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