A Quote by Dia Mirza
My privilege as a celebrity doesn't disallow me pain.
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The pain that you hold is yours. There is not a single pain quite like it. Nobody else on God's green earth can feel this pain, or have the indescribable feeling of pride you will have when you overcome it. This pain is not your curse; this pain is your privilege.
Maybe I've been a small part of the democratisation of celebrity, because I've been fascinated by it, and when it started to happen to me to the very limited extent that it happens to writers in North America, I was exposed to people who had the disease of celebrity. People who had raging, raging, life-threatening celebrity, people who would be in danger if they were left alone on the street without their minders. It's a great anthropological privilege to be there.
To me, there are two types of celebrity: there's good celebrity - people that are attracted to the food and working and trying to create something great - and then there's bad celebrity - those who are working on being a celebrity.
I give celebrity my undivided indifference. Now that it's here, there's absolutely nothing wrong with it. And people who complain about celebrity and any kind of privilege are, all of them, whinging morons, and they should keep their first-world problems to themselves. I feel very strongly about that.
I don't like the word celebrity. If I become a good actress and be in movies where I'm expected to be a good actress, who is recognised, that's different to being what I consider to be a celebrity. My job is an actor and that's what I'm passionate about and adore. It's a privilege to be able to do this job for a living.
I think our culture has gotten so skewed. People assume that because you're an actor you want to write a book to exploit your celebrity, but my celebrity is only a byproduct of me making movies. I have no intention of being a celebrity.
If your white privilege and class privilege protects you, then you have an obligation to use that privilege to take stands that work to end the injustice that grants that privilege in the first place.
I'm not a celebrity, I'm an activist. The fact that when I see truth it's really hard for me to sit back and just allow it to happen in front of me on my clock makes me, a lot of times, a bad celebrity.
The life I've had, the difficulties, the hardships, the pain I've suffered since I was a child. It's a great privilege to have led a difficult life, and many people in my generation have had this privilege - I sometimes wonder if young people today aren't deprived of the dramas that shaped us.
Being a celebrity doesn't even seem to keep the fleas off our dogs — and if being a celebrity won't give me an advantage over a couple of fleas, then I guess there can't be much in being a celebrity after all.
For me, being part of the WTA tour is a privilege. Every day I wake up, it's a privilege to be able to go outside and do what I love. It's a privilege to be able to make my own hours, even though they're long, but I make them.
I've made millions of dollars with the body I have, so where's the pain in that? If I was in pain, I would have dieted. The pain is not there - the pain is someone printing a picture of me and saying those horrible things.
The only way to be a champion is by going through these forced reps and the torture and pain. That's way I call it the torture routine. Because it's like forced torture. Torturing my body. What helps me is to think of this pain as pleasure. Pain makes me grow. Growing is what I want. Therefore, for me pain is pleasure. And so when I am experiencing pain I'm in heaven. It's great. People suggest this is masochistic. But they're wrong. I like pain for a particular reason. I don't like needle's stuck in my arm. But I do like the pain that is necessary to be a champion.
Celebrity's a pain in the backside - you're always on display.
Celebrity poverty, that's the hidden scandal in Blair's Britain. You can't help but worry for them. A girl I knew developed X-ray eyes for celebrity sorrows. She taught me to read the subtext of the down-market celebrity interview, she knew all the Hollywood codes, and followed the deep backgrounds.
The only privilege literature deserves - and this privilege it requires in order to exist - is the privilege of being in the arena of discourse, the place where the struggle of our languages can be acted out.
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