A Quote by Dia Mirza
The only challenge I faced in the beginning was that no one believed I could seriously see a film through.
Related Quotes
I was the enemy of the major studio. I believed in one man - one film. I believed one man should make the film. And I believed the director should be that one man. One man should do it - I didn't give a damn who. I just couldn't accept art as a committee. I could only accept art as an extension of an individual.
People are beginning to realize that it's important that we see animals in a natural state - but through film, through video, through documentaries, at wildlife preserves, and through other humanely protected ways, which don't involve... performing for us.
We take the art seriously. We take communicating it seriously. And maybe we took ourselves a little too seriously in the beginning. Sometimes I watch the videos, and I think, 'Yeah, you could've relaxed a lot in the 'I Alone' video,' you know?
Most men in a concentration camp believed that the real opportunities of life had passed. Yet, in reality, there was an opportunity and a challenge. One could make a victory of those experiences, turning life into an inner triumph, or one could ignore the challenge and simply vegetate, as did a majority of the prisoners.
Just as primitive man believed himself to stand face to face with demons and believed that could he but know their names he would become their master, so is contemporary man faced by this incomprehensible, which disorders his calculations.
It seems that whenever America faced a challenge, it faced it and overcame it.
The structural thinking I use in the concert hall is unnecessary to most film projects, and most film composers make better use of the enormous range of pop and other materials and techniques required of them than I probably would, faced with the same challenge.
The thing is, as a film director, you're essentially alone: You have to tell a story primarily through pictures, and only you know the film you see in your head.
What if we truly believed that there is a beneficent order to things, a force that's holding things together without our conscious control? What if we could see, in our daily lives, the working of that force? What if we believed it loved us somehow and cared for us, and protected us? What if we believed we could afford to relax?
The only genre of movie that I could see making that doesn't have anything magical or otherworldly about it would be a war film. I'm very interested in history, and a war film could be something that would lure me in.
Sometimes you just wish you could make a film and then have it on DVD so you can see your mom. But, no, I've never really had that moment. Not really. Not seriously.
I have always believed that if a film has only two characters, but they do not make any sense, then the film's meaningless.
I got involved in script development from the beginning. It was nice to see how a film gets made right from the beginning. It was quite hands-on for me.
Faced with the challenge of an endless universe, Man will be forced to mature further, just as the Neanderthal-faced with an entire planet-had no choice but to grow away from the tradition of savagery.
Film is the manipulative medium par excellence. When you think back on the history of film and the 20th century, you see the propaganda that's been made. So there are moral demands on the director to treat the spectators as seriously as he or she takes himself and not to see them merely as victims that can be manipulated to whatever ends they have.
The toughest challenge I faced came right at the beginning of my career with 'Blood Knot,' which was trying to convince South African audiences that South African stories also had a place on the stage.
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