A Quote by Dia Mirza
I look for gravitas and substance that can outlast the theatrical experience.
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Theatrical experience will always be the norm in India. In fact, as a producer and as an actor, I always hope that the magnum opus theatrical experience should always continue.
I think it's important that filmmakers look at the technology and figure out how to make the theatrical experience a little more exciting.
Substance over style is the rule for all resumes. Any special effects will dilute the gravitas and stature of the impression. You want people to concentrate on your accomplishments and your successes, not the curlicues of a font or unusual shades or contrast of colors.
I think I come from a theatrical tradition where, if you look at the great theatrical actors of the British theatre, they took enormous pride in being wildly different from one role to the next. That's the tradition I come from.
People ask me questions like, "Oh, you look so theatrical in your photographs. Is that what you're like when you walk down the street?" It's like, "Of course not." It's such a silly question - it's like being theatrical is a crime.
The theatrical experience is also a communal one. When people saw 'Fruitvale' in the theater, there was not a dry eye at the end of the movie, and you would look to your neighbor and have this shared moment together that had a real weight behind it.
I am in the theatrical profession myself, my wife is in the theatrical profession, my children are in the theatrical profession.I had a dog that lived and died in it from a puppy; and my chaise-pony goes on, in Timour the Tartar.
As far as the theatrical experience is concerned, I will be highly disappointed if that goes away. I have grown up watching films in theatres so that community experience should never go.
As a people, we have the problem of making our forests outlast this generation, or iron outlast this century, and our coal the next; not merely as a matter of convenience or comfort, but as a matter of stern necessity.
So all of these companies that are going for the big growth, if it continues for any length of time, will outlast their resources and outlast their customers and go belly-up. And that's why these huge companies have massive layoffs all the time.
The only requirement of a symbol is that it have substance underneath: The first thing to do is to try to establish the substance. The style comes after the substance. Only then can the style help the substance, and vice versa.
A violent wind does not outlast the morning; a squall of rain does not outlast the day. Such is the course of Nature. And if Nature herself cannot sustain her efforts long, how much less can man!
Characterization is integral to the theatrical experience.
I say throwaway, jokey things. When you're young-looking and you are presenting something that has gravitas you can't look down your nose, but when David Dimbleby does it, it's OK.
People don't understand that when you come into any theatrical experience, you've got to come locked and loaded, that you're a part of the experience, too. You can't come with your arms crossed. Be open to it.
I'm not particularly precious about the theatrical experience any more.
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