A Quote by Diana Penty
I signed 'Lucknow Central' because it was a story I wanted to be part of. I still stand by the fact that it was a well written, well directed film with some great performances.
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If it's well written and well directed and you've got good actors to work with, acting is easy. But making sure all the ducks are in a row is the hard part. It's very rare
If it's well written and well directed and you've got good actors to work with, acting is easy. But making sure all the ducks are in a row is the hard part. It's very rare.
Some things definitely work better on film than in books. Introspection is great in books but it doesn't work on film. Anything with high intensity, whether it's a love scene, a car chase, a fight scene - those things work so well on film and oftentimes they can tell a much broader part of the story.
My job is to make a film that can sit as a standalone piece, that if it's the only Marvel film you see, it's a great film with a great story in and of itself. The lucky thing is that there's a bunch of geniuses who run Marvel that make sure, even if it's a standalone piece, that it's part of a great big jigsaw puzzle that could be appreciated as a whole as well.
There's a film there in competition [of Sundance Film Festival] called To The Bone. It's directed by Marti Noxon. I have a supporting role in it. It got really well received. It's a really great film.
I directed 'Death in the Gunj' which released in 2017. It got very good reviews and a few awards but did not do well at the box-office. But I'm not bothered. I made the film that I wanted to make. It was not a film for everyone.
There was a time when I desperately wanted to be part of a Yash Chopra film, not because he was a great director, but because I was an outsider and I wanted that validation of being accepted in the film industry.
You'll see some great performances [in Fences]. And I'm not just saying that because I directed it either! You'll see!
To me, a great story well told is a great story well told, and just because the protagonist is a young adult doesn't mean that story has less merit or worth than if the protagonist is a full-grown adult.
So, first, I wanted to be a part of the project because I thought it was an important story to tell. On top of that, it's rare to find roles for strong, young, feisty women, especially in a military film. And I love that Suarez ends up being the moral compass of the story, and that she's also brave enough to stand up to all these men.
I've always had an interest in story-telling and history and just film and art in general, but particularly when it comes to storytelling, I think the reason why we became involved in film is because we wanted to get some great stories out there.
Something like 'Dr. Thirteen,' which features no big characters, was probably the most fun thing I've worked on because the story was so great, and it was written so well.
They wanted it because they've got some sort of darkness in them. And maybe because they like pain. Because pain turns them on. Well, maybe it turns me on, too," she said quietly. "In fact, I know it does, because loving you hurts. And yet, I still come back for more.
I feel like, if I'm being honest with myself, my biggest skill set is as a writer 'cause I can do that quickly and I'm really grounded in story structure. Part of my success as an actor, is that I know story well. Part of my success as a director, is how well I know story. Same thing, as a producer. It all begins and ends with me as a story creator. But, I love doing it all.
I have no issues if audiences don't like a film or a performance, and the film doesn't do well. My problem is when they say that the film was good and performances were excellent, but the film didn't run. I have a problem when that happens.
I made four comedies, and all did well, but I always wanted to do an action film. When I saw 'Singham,' I thought this was the right film. Many stopped me, saying, 'You are doing so well in comedy, why do you want to make this film?'
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