A Quote by Diana Penty
I won't sign a film thinking, 'Oh my God! I don't have a film so I've got to sign one real quickly.'
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The first time I got into astrology was being in New York. I was like, 'Oh, this is a real thing here!' Now, I'll Google what your sign is and what my sign is to see the predictions of friendship, and I find that really cool. But that's the most I know.
I learned American Sign Language in college and seemed to pick it up rather quickly. I really love to sign and wish that I had more friends to sign with.
Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn't until the last weekend of the film's short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.
When you sign up to a film, you sign up to everything that's in the script. I really believe in that.
My pay packet is reasonable. But I prefer doing films where I have a meaty role. The set-up of the film and the filmmaker also matter to me. For me those are vital issues that help me decide on a film. You never sign a film only for money.
I have fantasized about people I haven't worked with for sure. Sometimes, when am watching a film, I'll be thinking, Oh my god, I should've got this scene or this song.'
The sign of vigour, the sign of life, the sign of hope, the sign of health, the sign of everything that is good, is strength. As long as the body lives, there must be strength in the body, strength in the mind, [and strength] in the hand.
Every TV actor wants to do a film, but the thing is that if you sign up for a film then you have to be ready to dedicate time, which can run up to 2-3 years.
Doubt is not always a sign that a man is wrong; it may be a sign that he is thinking.
When you go into a film, you read it, and something clicks for you, and you like it, and you sign on for it; you go for it. You know that this is going to be a good film, and that is your best hope. Past that, it's a crap shoot - you roll the dice.
I did face the casting couch when I had gone to sign a film; but I don't want to name the person. Most people in the film industry are like that. But thankfully, the television industry has been spared of it.
Oh my God, I love UCLA so much. Their film school is great because it's unstructured, so there's a freedom to fail in there and just tell your story, and everybody makes a film. It's so important to have that freedom in film school because that's what you're there for: to learn and make a film.
I cut London Boulevard pretty aggressively, but I liked the transitions and the elliptical feel that I got. It's not an exceptionally easy film to follow. You have to know that the paparazzo looks like Mark David Chapman. He hasn't got an expositional sign on him.
A real estate closer. Oh, what's that? I'm a real estate opener. What is a real estate closer? You mean at the end where you've got to sign all those papers?
The dollar sign is the only sign in which the modern man appears to have any real faith.
Can I tell you what I really believe is the reason everybody wants to work with us? I believe they sign on because they're almost assured that it's going to be a very commercial film. A Burt Reynolds film is a guarantee of exposure... And also, we have a lot of fun.
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