A Quote by Diane Kruger
The real challenge is to give a really nuanced performance and really push myself, to make sure that we see a very complete picture of a woman living with Asperger's. Of course, I'm always intrigued. I learn so much from the show about storylines that actually happen on the border.
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My job is really to... everyone is reading the script, and my job is to make sure we all interpret it in as much the same way as possible. And then I give them the freedom to sort of - to get their performance across and then make suggestions where things are not working and accentuate and push things where they really are working.
The main challenge is technology and that's something I really push and work closely with Adidas on. They're real leaders in sports performance; always trying to push that further and further and get the best technology they can. That takes time and has rigorous testing, it's very laborious, but it's also very rewarding. You get to work with fantastic athletes, and that's a fantastic thing that has nothing to do with my day job in ready-to-wear.
People who can actually challenge me and push me and almost push me to breaking point and extract a performance out of me, I really enjoy that.
I've been for 10 years trying to make something out of my life as an actor. I've learned a lot but I haven't done much that's worthwhile. So maybe if I make people wonder what I really do look like and make myself unrecognizable, they will be interested and intrigued, which eventually, of course, happened.
I really love a challenge, but in 'Downton' it was really hard going because there's no CGI - what you see is what you get. These were real explosions right in front of our faces, and you just had to make sure that you cleared out of the way.
I think we need to have stories about women that don't necessarily fit the trope of the classic woman, because they do exist. We have to show real life on TV and film. And we don't. We only see maybe 5 percent of what real people are really like. I mean, movies set in Los Angeles that don't have any minorities in them - how does that happen?
So many girls second-think their pose or what they're doing. And, in turn, the photos will come out really unnatural. I say to really give the camera a performance - that, and make sure you're comfortable with how you look, and give it a good smile and a filter.
I don't see myself as successful because I've worked on only a handful of films. The way I look at it, if you're really, really lucky, if you consistently work hard over the course of ten years, if you refuse to take no for an answer, if you surround yourself with great mentors and are a sponge, willing to learn, then you're bound for something to happen.
The bar was very high-we had to really make sure that we got what we really wanted, that it was a real finished album. We weren't going to give up until we got that.
What I love about our show is that it's so nuanced and feels very real to me. I think how it explores creativity in general is very real.
I love to challenge myself and try new things and push myself in new directions. Sometimes it's the most nerve-wracking thing because you don't really know what you're doing because you're new to it. But then you always learn the most those ways.
Just concentrate on the performers. Make sure you get the performers, and that's it. That's all we need to do." And I was thinking, "Well what if you do both? Of course the performance is important, the writing is really important. But what if you could have the perfect marriage of making it look really slick as well?" I think that's kind of what I tried to develop as a style, and Spaced was the first TV show I did where all the elements came together.
I'm not really an autobiographical writer, though I use lots of stuff from my life to make my stories seem real. But when I actually write about myself, I get very confused.
We with Komplizen Film believe very much in the writer-director and in the freedom of a filmmaker. I think it's always good to be involved where you spend the money. Filmmaking, you see in the picture what the money's spent for. I never had to leave a phase of filmmaking before being really happy, and that was really a big luxury. That could happen, I think, because I am my own producer.
When we talk about corruption, there's corruption on both sides of the border. That's what I think is interesting. I'm from Mexico, so when I see a Mexican portrayed in the American market on TV or films, you better do it right because you won't fool me. I'm sure no one really cares on this side of the border, if they get it right or not, but all the way from Mexico, to another 120 countries where the show goes, they will be able to tell the difference.
The idea of actually taking sharp turns left and right has always intrigued me, but I've never really been bold enough to do that. As musicians go, I've allowed myself to be carried by other people's enthusiasm into places where I've learned a lot. There is no real tumult anymore. What I want to do, I do! I'm pretty fortunate.
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