A Quote by Diane Kruger

I think they went with the idea that people know the story pretty much- knowing that he's going to take her when she's going to go with him. Also, the movie is really focused on Achilles and Hector and their battles.
Kristen is really focused and really quiet, as an actress. She just does her thing, but she's cool. I like her. I know a lot of people have mixed comments about her, but I think she's a rad person. She's just focused on what she's doing, as an actress, and she wants to pick the right roles, and she's committed to her craft. She's really cool. We got along. There weren't any tensions or anything.
I've worked on movies that are being rewritten as you go, but you take so long and so much time doing it, that it's not really an issue knowing what's going to happen or how the movie is going to end.
I'll tell you, Liz Cheney is going to be a very good candidate. I worked with her during the Bush campaigns. She's smart, she's focused, she's disciplined - and she's got a great back story. She's got a large family. She's a great mom. And she's a hard worker. I think she's going to be a very effective campaigner.
She pulled away and looked at him. 'I kissed you and you left.' When Kat heard the pounding, she thought it was the beating of her heart. It was too loud, she thought. Hale was going to hear it; he was going to see it; and he was going to know how much power he had to hurt her.
When a movie is being made out of a book, there is a mixed reaction on the part of fans because they are both extremely excited and they are also terrified. 'They are going to take my story, and they are going to mess it up; they are going to ruin it; they're going to do this; they're going to do that.'
Doris Lessing really doesn't care what the critics say. In fact, she orders her publishers not to send her the reviews and gets cross with them if they do because she doesn't want that in her head. She's going where she's going, and that's where she wants to go.
He's charmed by her as if she were some fairy!" continued Arabella. "See how he looks round at her, and lets his eyes rest on her. I am inclined to think that she don't care for him quite so much as he does for her. She's not a particular warm-hearted creature to my thinking, though she cares for him pretty middling much-- as much as she's able to; and he could make her heart ache a bit if he liked to try--which he's too simple to do.
I never really think about what people are going to think of the movie afterwards. Or what people are going to call me. I just want to make a great project, and my focus is really all on that. And then I really don't read reviews. Like, you know, go on comment boards or anything.
In the private system and the private schools, the principal is pretty much a dictator. He or she can hire whoever s/he wants. Of course, in the movie, in the story, she makes a mistake by hiring him. But, if she doesn't, I have no story.
I read a story about some old opera singer once, and when a guy asked her to marry him, she took him backstage after she had sung a real triumph, with all the people calling for her, asked, 'Do you think you could give me that?' That story hit me right, man. I know no guy ever made me feel as good as an audience. I'm really far into this now, really committed. Like, I don't think I'd go off the road for long now, for life with a guy no matter how good. Yeah, it's the truth. Scary thing to say though, isn't it?
Her family had no such ties. She was able to forge her way into that world. And then to those people, the idea of going to Arkansas, if you're gonna stop and think about it, you don't do it. It wouldn't have made any sense. It's like going to Mississippi. Why would you go to Alabama? You wouldn't go. You wouldn't... That would be throwing your life away! [...] For some reason, Hillary Clinton wanted to latch on to this guy [Bill Clinton] - and for some reason, this guy wanted her to latch on to him.
A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.
Don't take this the wrong way," Blue replied. Her cheeks felt a little warm, but she was well into this conversation and she couldn't back down now. "Because I know you're going to think I feel bad about it, and I don't." "All right." "Because I'm not pretty. Not in the way Aglionby boys seem to lie." "I go to Aglionby," Adam said. Adam did not seem to go to Aglinoby like other boys went to Aglionby. "I think you're pretty," he said.
Then you have these people in the movie theaters that talk the whole time during the movie. You ever go with somebody like that to a movie but you don't realize until you get there that you're with somebody like that? Brand new movie. First day it's open. You're there together and the entire time they're sitting there: Where's she going? Why'd he do that? Is he mad at her? I don't know, let's watch and find out together shall we? You know who you are. You're denying it right now: I do not do that. Why is she saying that?. What's she gonna say next?
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for in a way. They wanted it to be something special. Also, none of us were really known then as well.
The idea is that Jodie Foster is with her child and she's going back to New York from Germany with her husband's body. She loses her child on a plane, and you think, 'How can that happen?' There's no record of her having brought a child onto the plane, and the captain is left wondering about whether she's telling the truth. You never really know if she's telling the truth or not.
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