A Quote by Diane Kruger

You can learn any accent you want. It's a fascinating thing. — © Diane Kruger
You can learn any accent you want. It's a fascinating thing.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
I've been typecast. People don't want to take a risk or a chance. Quite a few times they've come up to me and say "We want you to do that Russian accent." And I'll be like, "How about if I do an Irish accent or a South African accent," and they don't trust that you can properly pull them off.
If you walk through Knightsbridge on any bland day of the week you won't hear an English accent. You'll hear every accent under the sun apart from the British accent.
People think for Shakespeare you have to have a big English accent, but it's not true. He designed it so it can be performed in any accent in any time period.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
I keep forgetting I'm speaking in an American accent sometimes. The dangerous thing is that you end up forgetting what your real accent is after a while! It's really strange; I've never done a job in an American accent before.
I speak with a Northern Irish accent with a tinge of New York. My wife has a bit of a Boston accent; my oldest daughter talks with a Denver accent, and my youngest has a true blue Aussie accent. It's complicated.
I didn't want to be on screen not nailing an American accent. It's an insult to an American! There are plenty of great American actors who can already do an American accent, so me, coming in and stealing their roles, the one thing I have to perfect is the accent. So for years I practiced. And we're lucky because the whole world is raised on a library of American movies. I would pretend to be Jim Carrey, and, I say Robin Williams now because he's in my mind, but those actors really inspired us to be crazy and be theatrical.
What you find with singers, no matter where they're from, if they have any kind of an accent, the accent tends to disappear when they sing.
When I bagged the role of Swadheenta Ramakrishnan, I was expected to learn Tamil. I think getting the accent was the toughest thing.
I guess the most interesting thing that people think is I'm English. They think that I live in England and have a British accent. When they talk to me, at first they go, "Man, you have a great American accent," and I go, "No, no, no, this is my accent. I don't do accents." And then they're really disappointed, and they try to punch me.
I think the hardest thing about doing an accent, especially with a Missouri accent, is making sure that you're not mumbling with the words so your diction is clear.
But I just know from experience that accent wise, even if you're an accent genius, crossing the Atlantic is the hardest thing in the world either way.
People say I've 'retained' my Cockney accent. I can do any accent, but I wanted other working-class boys to know that they could become actors.
I learned to change my accent; in England, your accent identifies you very strongly with a class, and I did not want to be held back.
It's one thing to write the music, it's another thing to write it down, it's another thing to play it, and something else altogether again to learn how to play it. These are the elements that are fascinating, and, you know, move my world.
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