A Quote by Diane Paulus
I've gotten to the point that I don't even know what tomorrow brings. When I'm teaching, obviously I'm in town for the class every week.
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I haven't taught creative writing all that much (my CW teaching consists of a few summer workshops for elementary school children and an eight-week class for older adults), and I don't really know what my teaching style is yet.
I have to live for the day, and not worry about or try to know what tomorrow brings.... if I've learned one thing from all that'shappened to me, it's that if you would know what tomorrow brings, you may not want to live it.
The guys that I'm on the house shows with four-to-five days a week, every single week that we drive from town-to-town, that's where we came up with so many of our ideas. Where we really got to bond.
I don't know that I've gotten to the point where people know me more than my dad or that I ever will or even want to get to that point.
When I was a freshman at Yale, one teacher brought me up after class and said, 'You're trying to undermine my class.' And I thought to myself, 'Oh my God, I'm going to be kicked out of school on the first week.' Not only do I not have a sense of self, I don't even know what she's talking about. I don't even know how to undermine anything.
I aim for four workouts a week. I work out with a trainer once a week. Then, I take a circuit class twice a week. The fourth workout is random, depending on what I'm in the mood for - either a run, a spin class, or yoga.
Obviously, you're being evaluated every single week, and you want to perform every single week. It's just going out there and doing everything possible to help the team win.
I prefer surveying for a week to spending a week in fashionable society even of the best class.
For months, I slept at work, even though I had an apartment. I'd fall asleep on the floor at 4:30 A.M. By 7 A.M., I was up and ready to start teaching every class.
Of course, an English aristocrat might have some contact with the staff downstairs and could adequately say a thing or two about inter-class dramas unfolding in the household. But something less parochial might be harder to come by. This is relevant because stories about the divisiveness of class are by definition stories that straddle class boundaries. A story about a miner in a mining town is not obviously one that speaks to the divisiveness of class. In other words, class doesn't just divide us in the world but it also divides us in the stories we're presented.
I used to go to the same club every week in my home town, and even there I'd always stay at the back of the queue. I never once assumed I could just walk in.
I know a lot of people that still buy comics, go to the shop every week, I know people who read them on an iPad. My brother reads on an iPad every week, he downloads his comics every week.
Maybe tomorrow when He looks down Every green field and every town All of his children every nation There'll be peace and good, brotherhood... Crystal blue persuasion.
I teach a 14-week semester, and one of the things I do when I have to teach literature is, for the first half hour of the class, I have the students write the beginning of a new story every week. At the end of the semester, even if they have learned nothing about literature, at least they'll have 14 beginnings that they can take with them.
There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.
I was raised by both parents up to 17. We had a good family. We had a middle class family, good teaching and good surroundings, raised by the church, where I went every week whether I wanted to or not.
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