A Quote by Diane Paulus
I want an audience that will come sitting forward in their seats.
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I really want the audience to be on the edge of their seats.
When you're writing for the screen you're really thinking all the time of what you have to do to make sure that they have the information that they need, that the emotional thread is not snapped, that the story moves at the right speed, to keep the audience hopefully sitting on the edge of their seats or else weeping or laughing.
I've always tried to make movies that pull the audience out of their seats... I want audiences to be transported.
In the end, you don't want music to be noticed as much as digested and integrated into the storytelling. And make audiences sit forward in their seats and enjoy the movie.
I am 38 years old, and I want to live in Puerto Rico and I want to create a path forward for growth. I realize that have come at the most challenging times to become governor, but I want to push things forward.
Politics has come to resemble a cynical team game played by politicians, while the public has been pushed aside as if sitting on the seats of a stadium in which passion for politics is gradually making room for blindness and desperation.
All of Europe is tremendously integrated now; perhaps from all those years of colonization. Everybody that they've colonized has come to the mainland, so you'll have a racially diverse audience as well. You'll have many Middle Easterners, Asians, Africans, from seven to ninety sitting in the audience, and the really incredible thing is that they all know the music. I don't mean they just know a song here and there. They know the music. They are a very educated audience.
We played Carnegie Hall, and that was one time where I felt... Carnegie Hall as a legendary, very venerable place to perform. I'd never heard of anyone going into the Hall and kind of standing on the seats and playing throughout the aisles and having the audience stand on the seats. So when we did that in 2013, even for me it was a shock.
[The Republican Party] for example, they do run the House of Representatives, they're a majority there, and it's the House that is essentially sending the government into shutdown and maybe default. But they won the majority of seats there because of various kinds of chicanery. They got a minority of the votes, but a majority of the seats, and they're using them to press forward an agenda which is extremely harmful to the public.
You want to take yourself seriously, and you want to make something that you hope will have resonance with the audience. You want to bring your perspective and what you consider your talent to that piece of work, and you move forward in that direction. Sometimes that's easy, and sometimes it's met with resistance because you're dealing with situations where, for everybody else, it's a piece of business.
Being a celebrity you always get really good seats to sporting events but you never get as good seats as the photographers get. And I really love sports. So one of the scams I have going now is I want to learn sports photography so I can get better seats at a sporting event.
I cannot prevent anyone from getting angry, or mad, or frustrated. I can only hope that they'll turn that anger and frustration and madness into something positive, so that two, three, four, five hundred will step forward, so the gay doctors will come out, the gay lawyers, the gay judges, gay bankers, gay architects I hope that every professional gay will say 'enough', come forward and tell everybody, wear a sign, let the world know. Maybe that will help.
As long as you keep the audience on the edge of their seats, either scare them or keep them guessing, you can put anything in there that you want.
My show is an anti-show and the audience have to want to listen. I'm sitting down, there's only one of me, I don't talk much to the audience and it is very quiet. I wouldn't be able to do that kind of show if people didn't know me and my material.
I'm not as surprised in going from playing 1,000 seats to 4,000 seats as I was from 100 to 500 seats.
Men, they come and go. They always will. Hopefully, they stay. But, it’s the girl that’s sitting next to you, or the girl that’s sitting across from you, that’s going to get you through everything.
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