A Quote by Dileesh Pothan
I am not saying theatre release movies are restrictive. But I do not get certain 'freedoms' which 'Joji' gave me; I did not get those with both my earlier films.
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I have done theatre, and I enjoy the process of smaller films a lot more. When I do such films, there are certain things which I get to do which are untapped. The scenes give me the liberty to play and mould the character in accordance to the director's mindset.
I studied English Literature. I wasn’t a very good student, but one thing I did get from it, while I was making films at the same time with the college film society, was that I started thinking about the narrative freedoms that authors had enjoyed for centuries and it seemed to me that filmmakers should enjoy those freedoms as well.
We make a lot of movies that I don't think merit a wide release. We have this label called Tilt, and we have the movies come out on that, and that's fine. But it shocks me when, having done this a few times, when I really believe a movie should get a wide release, and I struggle to get it released. That does surprise me.
Movies are not scripts - movies are films; they're not books, they're not the theatre. It's a completely different discipline, it exists on its own. I would say that the beauty of it is it's not the theatre, it's not done over again. It's done in bits and pieces. Things are happening which you can't get again. I forbid anyone to say "Cut", the soundman, the operator, or whatever.
It's easy to get a theatrical release that shows in one theater for a week. But there's no advertising, and no one sees the movie. It's hard to get a real theatrical release. The distribution of independent films is, to me, extraordinarily frustrating.
I did try to get a few of those teen high-school movies, but they just didn't like me. I guess I wasn't a certain type.
Here's the most mysterious thing to me. I look back at those first plays I did and the first movies I did, and I only have one question, which is, 'What was I so confident about? Where did I get that?
I'm not saying it isn't frustrating that my films haven't gotten a bigger release, but I'm really happy with them and if you just keep cranking and eventually, if you have a certain sensibility, some of your movies will hit and some just won't.
I think subconsciously or selfishly I knew that I was supposed to do something. It was like a thumping or a throbbing saying, "Yes, this what you've been waiting for." But you're a little dim to those spiritual thoughts when you're dumb like me. So I did have to get a little bit of a kick. I played it for a bunch of people and I think their reactions were warm and deep enough that they gave me the courage to get [the record] out there.
You get to a certain moment where you realize all those humans who landed on the moon did so in between Chris [Nolan] being born and me being born and no one had gone back since, all these Super-8 films we grew up watching of rocket launches, you get to a certain age and you realize all the speeches about going back, they're speeches, there's no money there, we're not going back.
Filmmakers need to give the audience that something extra, an incentive to spend money and go to the multiplex - the ticket prices are high. Otherwise they'd just stay home, buy DVDs or download movies. But if there were only big budget movies it would be impossible for the film industry to survive. So I emphasize the importance of mid-range films. But those films need the support of theatre owners. The theatre chains have to have the vision to realize the need to support smaller films for the growth of the domestic film industry.
I don't get jobs in films by auditioning. I'm not blonde. You can't place me in movies the way you can with certain actors. It's very difficult for my agents.
As a person, I am someone who wants to give my the best in every take. I wouldn't say it was easy for me to get into the industry because I come from a background where no one has been in films. But I do believe if you work hard, you will get noticed. Modeling gave me that courage to stand in front of the camera.
I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
According to me films like 'Sonali Cable' are career changing films and only few get such chance, I am happy that I did this film.
We will get back to the earlier, instinctive and less inhibited nature of theatre. Today, spectators are passive, but Elizabethan, Greek and Roma; theatre was interactive.
