A Quote by Dileesh Pothan

In 'Maheshinte...' fight is the central aspect of the story - a man who is assaulted physically in front of his own townsfolk and how he fails miserably. Humiliated, fighting back his honor becomes the sole reason behind his existence.
The second that you make a man truly free, he becomes truly good. And it is only that individual who has lost his belief in himself and his own pride of goodness and his own pride of being and his own honor who is dangerous.
Private property is a natural fruit of labor, a product of intense activity of man, acquired through his energetic determination to ensure and develop with his own strength his own existence and that of his family, and to create for himself and his own an existence of just freedom, not only economic, but also political, cultural and religious.
Let no one imagine that he will lose anything of human dignity by this voluntary sell-out of his all to his God. He does not by this degrade himself as a man; rather he finds his right place of high honor as one made in the image of his Creator. His deep disgrace lay in his moral derangement, his unnatural usurpation of the place of God. His honor will be proved by restoring again that stolen throne. In exalting God over all, he finds his own highest honor upheld.
I will talk about Baker Mayfield. I like everything about his makeup. I like how his teammates really rally behind him. I like his eyes downfield. I like his accuracy with his deep throws. I like how he shows that fighter's spirit; when it comes time to come back, he's fighting through to come back, and I applaud those things.
In the last analysis, the individual person is responsible for living his own life and for 'finding himself.' If he persists in shifting his responsibility to somebody else, he fails to find out the meaning of his own existence.
[Altruism] is a moral system which holds that man has no right to exist for his own sake, that service to others is the sole justification of his existence, and that self-sacrifice is his highest moral duty, value and virtue. This is the moral base of collectivism, of all dictatorships.
Every man carries two bags about him, one in front and one behind, and both are full of faults. The bag in front contains his neighbors' faults, the one behind his own. Hence it is that men do not see their own faults, but never fail to see those of others.
Modern man lives isolated in his artificial environment, not because the artificial is evil as such, but because of his lack of comprehension of the forces which make it work- of the principles which relate his gadgets to the forces of nature, to the universal order. It is not central heating which makes his existence 'unnatural,' but his refusal to take an interest in the principles behind it. By being entirely dependent on science, yet closing his mind to it, he leads the life of an urban barbarian.
If a man consults whether he is to fight, when he has the power in his own hands, it is certain that his opinion is against fighting.
No man of honor, as the word is usually understood, did ever pretend that his honor obliged him to be chaste or temperate, to pay his creditors, to be useful to his country, to do good to mankind, to endeavor to be wise or learned, to regard his word, his promise, or his oath.
Man is the sole animal whose nudities offend his own companions, and the only one who, in his natural actions, withdraws and hides himself from his own kind.
But to the fighting soldier that phase of the war is behind. It was left behind after his first battle. His blood is up. He is fighting for his life, and killing now for him is as much a profession as writing is for me.
The result of observing only the universe is anxiety. Only observing the Observer of the universe will put a stop to a man's worrying and fussing and scheming. When his interest is diverted inwards he naturally relaxes his hold - his stranglehold - on the outer world. Having withdrawn his capital and paid it into his own Central Bank (where it appreciates to infinity), he has nothing to lose out there and no reason for interfering. He knows how to let things be and work out in their own time. He's in no hurry. Knowing the Self, he can hardly fail to trust its products.
For the coming of that day shall I fight, I and my sons and my chosen friends. For the freedom of Man. For his rights. For his life. For his honor.
Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.
They tied his arms behind his back to teach him how to swim, they put blood in his coffee and milk in his gin.
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